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Within A Forest Dark

~ fiction and reflections by Margaret Sefton

Within A Forest Dark

Category Archives: holiday horror

Christmas with Perchta

22 Tuesday Dec 2020

Posted by Margaret Sefton in Fairy Tales of Florida, holiday horror, original flash horror, writers in quarantine, Writers of Central Florida

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Florida Christmas horror tale, Frau Perchta, Holiday horror fairy tale

Photo by freestocks on Unsplash

I found myself alone on the streets this year on Christmas Eve, alone that is except for the company of my dog. I had cheated on my husband and upon the discovery of my indiscretion, he changed the locks to our home and shut down my access to funds. My family was also angry – my parents and siblings – deeply religious all and furious, believing me damned. They refused entry into their homes. I didn’t have money for a hotel or even a tank of gas to drive to the beach. I set up camp in a stand of trees behind a garage apartment I used to rent as an office. I knew how to hide, for homeless people used to hide there. When I was working in the apartment I would make brownies in the tiny efficiency kitchen, package them, and throw them down from balcony and into the woods, down on top of their blankets and luggage. I hoped they would find them and at least have enough calories to sustain them overnight. And now I was among their number.

I had enough gas to get to this spot and enough to make it back to the house on Christmas to beg for forgiveness and hopefully, re-secure a place with a roof and shelter, a fire in winter. I had brought a big plaid flannel blanket given me by my late Granny, a tarp to secure to trees for a roof, my sleeping bag, a pillow, a small doggie bed, a mix of nuts and chocolate, a jug of water, pain pills, several bottles of wine I bought on sale, cigarettes. I lived in a mild climate, though it could get cold in winter. There would likely be other homeless seeking shelter around me. I might have to buy peace or my life with extra provisions. I established camp in the undergrowth of an ancient twisted oak and its smaller brethren – scrub oak – as well as palms, pine trees, low hanging Spanish moss. Except for the rumble of cars over brick streets, it was quiet in this little patch of woods. I set up the tarp to be as unobtrusive as possible and sat underneath it on my sleeping bag, my dusty little dog curled up on her bed. An acorn fell on the tarp, startling me, but I felt I would be alright and knew it was wise to at least camp in a familiar area. That choice had a calming effect.

As dusk neared, I laid down on the sleeping bag and covered myself with Granny’s red plaid wool blanket. How devastated she would have been been to learn of my indiscretion, my sin. And how sad she would have been to learn of her granddaughter sleeping in the woods, disgraced, away from the warm shelter of her husband’s home. When we stayed with her at Christmas as children, she would gather us around her chair by the fire and open the dark picture pages that told a story of the twelfth night and Frau Perchta, a haggard old witch with a long pointed nose, sharp teeth, devouring eyes, a hunched form, claws for hands. Frau Perchta scoured the world to check on children: Were they spoiled little brats lazy with their chores? Or did they help mother and father? Were they polite and kind and good? Or were they the worst children in the world – mean, disobedient, shameful? There were pages where Frau Perchta enters the house to inspect the children’s rooms as well as the children themselves, to ask the parents questions. Then there was a horrible page, a page containing a picture of Frau Perchta gripping a child with one of her large claws and scooping out his insides with the other, the poor child’s face and limbs black with death, x’s for eyes while his good siblings watched with large saucer eyes, tearful and afraid. Then Perchta stuffs the bodies of the bad children with garbage – leftovers from Christmas feast, carcasses and bones of dead animals, ripped packaging from presents. She sets the bad, stuffed children up near the Christmas tree and they dully look at their surrounding with unseeing, button eyes. On the next page, good children – rosy cheeked and smiling – hug Perchta, and she embraces them in her thin, frail arms draped with rags. She gives them gifts and candy.

A baby pine tree was brushing the top of my tarp. Shadows danced and played overhead. The sorrow of my grief for what I had done, whom I had hurt, and a new feeling inside – a burning self-hatred – overtook me. I felt myself slipping into sleep despite my resolve to stay alert through the night, to protect my turf should the need arise.

I later awoke in the night to the sound of my dog barking frantically. There was something scratching insistently on the tarp, something sharper than pine needles, something alive and moving, a creature or person. A flickering candle revealed a silhouette: A woman with a hunched back, long dripping hair, sharp protruding face, ragged clothes. She set down a huge sack which rattled along the ground and then there was an overpowering smell of rotting carcasses, decaying flesh.

I bolted upright from my sleeping bag and felt around for my sweet dog. The poor little thing was outside of the tarp with the old woman. I managed to escape out the opposite end of my temporary shelter. I fled, the wind in my ears, car keys jingling, but my dog was captured. I cried and yelled out for her but she cried out sharply in pain and fear. I knew she had been caught, crushed to death, my proxy for my sin. I fled to the home of my husband, hopeful for shelter. I apologized profusely on the threshold, begging, pleading, crying but I was not granted entry. Instead I was given forty dollars and told not to return.

The night was dark and strange. There was chaos and shooting in the place I managed to afford. I barricaded the door with the bed and slept on the floor of the bathroom.

There is always a plan for those who stray: a dirty, seedy, dark underbelly life. So listen my children: Stay on the side of light. Do not neglect your duties. And God grant you and your children health, happiness, and peace this holiday season and all Christmases to come.

Literary Holiday Traditions

30 Monday Nov 2020

Posted by Margaret Sefton in a writer's personal note, holiday horror, Holiday reading, Victorian Christmas, Writers of Central Florida

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Christmas ghost stories, Holiday fiction collections, Victorian traditions

Photo by Joanna Kosinska on Unsplash

Do you have a favorite holiday literary tradition? Maybe there is a story or book you like to read each year, or maybe you like to purchase or borrow a new book or collection for the season. Maybe you like to indulge with children, grandchildren, nieces or nephews with all of the stories they enjoy. In Iceland, there is a tradition in the fall called Jolabokaflod or the “Christmas Book Flood” in which books are bought for the holidays. Books are given as gifts on Christmas Eve and the night is spent reading. In Victorian England, people sat around their fires and told ghost stories, a tradition reflected in the format of Henry James’ novella Turn of the Screw.

When I first became serious about reading short stories about thirty years ago, I turned to the writer I had fallen in love with as a college English major: John Cheever. Every year for quite a few years at Christmas I read his entire collection. Then I chanced upon the marvelous collection Christmas at the New Yorker: Stories, Poems, Humor, and Art. It also includes John Cheever, as well as John Updike, Alice Munro, Vladimir Nabokov, Richard Ford, William Maxwell, J.F. Powers, and other literary lights. I started reading from this collection every year. Over time, I have also become interested in slightly more old school ghost stories, such as those penned by M.R. James and feel the reading, and listening to them on Audible, is very much in step with English Victorians.

This year, I’ve found a new collection through my new kindle called Chill Tidings: Dark Tales of the Christmas Season, edited by Tanya Kirk, collected from the British Library, written mid 19th to mid 20th century. Some are more or less “chilly” to me, but all I find very interesting given the Victorian tradition of Holiday ghost stories. The forward provides some clues as to why and how this tradition evolved.

I am also attempting to revisit a powerful story I read by Heinrich Boll years ago set at Christmas, having to do with a misunderstanding between a husband and wife. There is a sense of yearning for forgiveness on a snowy night in a train station. I lost the collection in my move, or misplaced it, or may have inadvertently donated it, and so I have ordered another, the selfsame 18 Stories by Heinrich Boll, a wonderfully used copy, and hopefully loved. I look forward to receiving it soon.

This year I also ordered another copy of Henry James’ Turn of the Screw after believing my copy lost. But alas, I found it today, the Norton Critical Edition, an edition I loved pouring over. However, the inexpensive used copy I ordered last night and which is waiting for me at the bookstore contains other Henry James stories as well as his classic so likely I will be picking it up. If you have seen the series The Haunting of Bly Manor or the movie The Turning as well as other filmic adaptations, these offerings might give you some sense of Henry James, but the written word such as the Norton Edition is the way to go to really develop a full appreciation of his technique and skill.

I also hope I will have some down time for some of my collections of fairy tales from around the world, an illustrated Robert Frost poem “Stopping by Woods on a Snowy Evening,” the absurdist writings of Daniil Kharms in some of my paper copy books as well as an ebook I found via kindle called “7 Best Short Stories: Absurdist” edited by August Nemo.

Whatever your traditions, I hope you will find a story you enjoy this holiday. Our religious traditions are about telling stories and so maybe this craving to come to story at this time of year is related to this, whether the story be of darkness or light, realism or fantasy.

Happy Holidays and happy story hunting.

Meg

Basket

07 Tuesday Apr 2020

Posted by Margaret Sefton in 50 word fiction, coronavirus fiction, dark easter micro, dark fiction, holiday horror

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blood, coronavirus, Easter

5073816625_dfe53b2e79_o

bloody bunny girl by David Kent, flickr

The Easter we had to stay inside our apartments, we put our baskets outside the door. Even adults. At 5 a.m. the staff would fill them. I took my dog out at 1 a.m. but what was already in mine were bunny bones, a headless doll, and a blood red marzipan cross.

Margaret Sefton

Margaret Sefton

Margaret’s work has appeared or is forthcoming in Cowboy Jamboree, Corvus Review, The Journal of Radical Wonder, Shambolic Review, The Chamber Magazine, Tiny Frights, Demonic Household, Use Your Words, S/tick, A Thousand and One Stories, Flash Frontier, Writing in a Woman’s Voice, Blue Fifth Review, Bizarro Central, Honey Pot, Alyss, Best New Writing, The Dos Passos Review, Ginosko Literary Journal, Still Crazy, Asylum Ink, Quail Bell, Danse Macabre, Dark Sky Magazine, Chrome Baby, The Strange Edge, Beakful, Serving House Journal, Corium Magazine, Double Room, Emprise Review, Connotation Press, Atticus Review, Apocrypha and Abstractions, DecomP, The Quarterly Conversation, Get Lit: Round One Flash Fiction, A-minor magazine, Wufniks, 971 MENU, Trainwrite, State of Imagination, Pure Slush, Dark Chaos, Blink Ink, 52/250, Kaffe at Katmandu, Relief, and Colored Chalk. She received her BA in Literature from Wake Forest University, her MA in Adult Education from Denver Seminary, and her MFA in Fiction from Seattle Pacific University. Many of her stories are set in Florida, a place she has considered home since girlhood. Her work may also be found on Medium and Simily.

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