Now dogless, unemployed, and frail during the pandemic, Greta found something oddly comforting in the mechanized kitchen trashcan in that it registered her presence. On Halloween, the lid clamped down on her hand and pulled her inside. There was no dog to sound the alarm.
When I was alive, there had been a presence in my room. I used to lie frozen. The night my body gave way to sleep, icy hands stretched out to choke me. In my immortal form, I linger in dark corners, jealous of the sleep-rich.
Life as a domme demanded she be prickly. With few other resources, this idea for making money had somehow evolved but humiliating took commitment. When a man begged her to freak him out using his credit card, she was sold.
When her cancer returned, she held an impromptu dance in the cancer center lobby. She blasted Foxy Brown’s “Candy,” giving a special dance tribute to the administrator who tried to charge $1500 before her first treatment. Other patients, bald and hobbled from treatment, shuffled their feet and laughed.
She had vowed she would do it, end her life today. But she had planned Timmy’s birthday party. She stood in the midst of a party store aisle, her face sweating under her mask. Maybe after her son’s birthday? Tears blurred the colors of the garish decorations. She couldn’t decide.
The trees have planned their revolt against a country using them to string up men by the neck until they are dead, the burning cross somewhere nearby or else deep in the heart. It doesn’t take a hurricane to uproot the trees and send them thundering down. It takes injustice.
There was a time before the draining of Florida swampland when giant cypress towered over one hundred feet tall. In the late 19th century, cypress were felled for shingles. Daily I drive over a bridge spanning the headwaters of the Everglades: Shingle Creek. I hear cypress cousins bemoaning lost histories.
This is an image I have posted a couple of times this October, a list I found of some awesome Inktober prompts on DeviantArt by Lineke-Lijn. I post this once more mid-October in case it inspired some spooky writing, or other types of writing, leading into Halloween.
What I am finding this year is I am inspired to write not simply dark and Halloween-related posts—though I do write dark at times— but also lighter or just neutral posts related to interests, memories, and things happening in my life. I am around to prompt 21, but I have not always taken these in order and I have added in a few of my own, writing something super short I wanted to cover and providing my own title. I think it’s ok to repeat prompts in trying new pieces, exploring different aspects of a theme. Furthermore, I enjoy writing some nonfiction as well as fiction, using whatever research I can pour into tiny writing.
I want to say something that applies to creating in general, but here, for the sake of the tiny piece, relates especially to tiny writing. Take it easy in writing tiny, especially in creating goals like this. Some pieces will feel inspired, and some, well, just what was possible for the energy of that particular day. What is good in tiny writing is being able to look back and lift out the strong moments and add them to a growing body. And maybe there will be moments to recast other not so strong pieces. Forgiveness is huge. Forgive yourself, laugh, say “I tried. I knew what I wanted to say but, well, I can’t tell this reflects my desire.”
Writing something new every day, or several new somethings, requires specific energy, awareness, openness. Sometimes for me, it requires a certain mood. Trying to make a complete 50-word gem can at times be difficult. There is definitely a great deal to be left out. I would say “mystery” plays a large part in all writing but especially so in 50-word writing. If there is something intriguing to you about creating mysteries, you may enjoy trying your hand, or continuing to do so.
If you have read this post before, what follows will be familiar….
These are prompts for visual artists but I think this particular list is also stellar for writers and here’s why: the nouns are specific and concrete; the verbs are action verbs; the verbal adjectives are equally expressive and action-oriented; the nominal adjectives are precise, concrete. One-word prompts that are abstractions and nonspecific are non-starters.
The kind of prompts listed above translate into powerful sketches and drawings. And I think these give writers that mental picture we need to begin translating an interior vision into the written word. You may not think you’re a screenwriter, but if you want to write powerful fiction, you will think in scenes and images.
If you are interested in an exploration, even if you’re an experienced writer, start jotting down small pieces in a notebook or document. It is highly likely that first drafts will go over the fifty-word count. Over time, as pieces are refined to meet the word count, a wonderful miniature will emerge, conveying the heart of something distinct. The word prompt may be included as a word in the piece or it can simply serve as the inspiration.
Even if you don’t want to write fiction or publish, exercises like this sharpen verbal ability; broaden thinking; enhance problem-solving; and develop voice and self-knowledge. Yours —Margaret
Respect the woman who became a man who became a woman to carry his wife’s baby and who became a man again. He has lived a thousand dreams of metamorphosis, possibilities curled up inside, waiting for change.
During the Depression, four men took life insurance policies out on drunkard Mike “The Durable.” They poisoned him, froze him, gave him a broken glass sandwich, hit him with a car. Finally, they killed him with carbon monoxide. They were scorched in the electric chair but Mike became a legend.
Bottle broken my promise to you left the divorce papers on the hall tree your mother’s wedding gift to us to whom was also given a baby a name you used to call me whose life consumed with mid-day drinks, as well as midnight when I see our end.
Swollen white molded strawberries like victims of Pompeii; forgotten raw brisket for marinating, bloodying the sink; neglected half-dry clothes mildewing the wash—the ghost of your mother tisks from the corner. You bristle. She used to say you thought highly of yourself. Now you know you are no one, nothing.
I have two terrible memories of elementary school. One was of poor Leah, large as a whale, falling off the roundabout and all of us flying past, kicking her while she cried. The other was a nightmare around this time of a tiny bird dying because we stoned it.
It’s a cold October night, and you are watching your son play soccer. In the bleachers, your ex is snuggling with his new, younger wife. The cruel wind cuts through your coat, a reminder that you are merely a womb and have served your purpose.
I found this list of awesome Inktober prompts on DeviantArt by Lineke-Lijn. I posted this initially a couple of weeks ago and wanted to post it again as a reminder and an invitation in case anyone wants to do some October writing.
These are prompts for visual artists but I think this particular list is also stellar for writers and here’s why: the nouns are specific and concrete; the verbs are action verbs; the verbal adjectives are equally expressive and action-oriented; the nominal adjectives are precise, concrete. One-word prompts that are abstractions and nonspecific are non-starters.
The kind of prompts listed above translate into powerful sketches and drawings. And I think these give writers that mental picture we need to begin translating an interior vision into the written word. You may think you’re not a screenwriter, but if you want to write powerful fiction, you will think in scenes and images.
If you are interested in an exploration, even if you’re an experienced writer, start jotting down small pieces in a notebook or document. It is highly likely first drafts will go over the fifty-word count that is set in flash fiction writing for Inktober. Over time, as pieces are refined to meet the word count, a wonderful miniature will emerge, conveying the heart of something distinct. The word prompt may be included as a word in the piece or it can simply serve as the inspiration.
Even if you don’t want to write fiction or publish, exercises like this sharpens verbal ability; broadens thinking; enhances problem-solving; and develops voice and self-knowledge. Yours —Margaret
There was a sadness in Aunt Mary after they gave her the medications. Last fall, I had never seen her happier. She was to fly to Jamaica to marry her fiancé. Turns out, that was all a delusion.
Down the center of the peninsular state, the tropical climate briefly withholds its sauna so a few exhausted leaves of august trees may die in their golden glory. Yet the fanfare is ignored amid the ravenous, eternal green, impatient heat, marauding winds—the energy of youth and growth and destruction.
A cancer patient’s family moves away while he’s in treatment. Afraid and lonely, he realizes he may need a church who will burry him. After joining a church, he learns his way into a plot is to tithe but all disposable income is owed the hospital.
Terramae makes peanut butter chocolate frogs for trick or treaters, but her boyfriend, a chef, uses them for a mole. She yells at him and he says “I wish you would just smoke one big doobie.” She makes a huge batch of frog edibles for his staff. Everyone gets fired.
In the early days of the circus, the 19th century, there was puritanical disapproval because “entertainments” were considered a sinful waste of time and the outfits that performers wore revealed too much. But the animal menagerie that was set up alongside the performance tent was a shrewd move to recruit an audience among the faithful. That is the setting of this mini-story which reveals a child’s dreams. Dreams, I think, are the lure and effect of the circus. (I realize I’m not writing of Halloween or writing spooky yet with the circus theme. I’ve become intrigued by the research.)
Henry Buckland, a religious man of New England, took his family to see the animal menagerie. But Little Henrietta broke away to glimpse a forbidden scene under the big top: the trapeze. She vowed to be a trapeze artist one day and wear a gorgeous, glittery outfit.
My first grade teacher broke yardsticks over our desks when we colored “wrong.” At her funeral, I wondered if she drooled after her stroke. Since it was open casket, I was terrified she knew my naughty thoughts and was gonna get me.
She had been drooling on her pillow but wasn’t worried until she saw her face: It was twitching. Her brother took her to the ER but the nurse brushed them off: She was too young to have a stroke. Her brother yelled for the doctor and saved her life.
After miscarrying, I started sleeping in the nursery under the Chagall print—a chicken pulling a carriage for a couple and their baby. While I was asleep one night, Marty left a note: “I love you but I can’t do this anymore. I’m sorry.”
Having endured white torture overseas, the journalist returned home. White rooms, chalk floors, soundlessness—the sensory deprivation of his confinement had cast the spell of Lethe. He did not recognize family and yet he panicked at the prospect of being left alone.
Young men of the Ivy League fraternity hosted a “pig roast,” a competition to score high in bedding women. Tie breakers were won using the scale: The man who slept with the heaviest young lady reigned supreme. There was institutional punishment but heartfelt contrition of members was nowhere in evidence.
Tranquil, Jesus-loving hippies, seduced by the revolutionary music of a new religious movement, found themselves engaging in “flirty fishing” for the cause of God. “The Law of Love” superseded “The Law of Moses” said their guru. Years later, former cult members mourn lost innocence. Some don’t survive the shattering.
Coca Cola Vintage by Antonio Marín Segovia, flickr
Florida man, sociopathic genius, Mensa member, chemist, having silenced his neighbors’ barking dogs for good, laces the boisterous family’s soda bottles with thallium. Like the dogs, the mother loses her hair. Her liter are poisoned. The mother dies, but the Florida man is dismayed to find prison especially noisy.
These are obviously prompts for visual artists but I think this particular list is also stellar for writers and here’s why: the nouns are specific and concrete; the verbs are action verbs; the verbal adjectives are equally expressive and action-oriented; the nominal adjectives are precise, concrete. One-word prompts that are abstractions and nonspecific are non-starters.
The kind of prompts listed above translate into powerful sketches and drawings. And I think these give writers that mental picture we need to begin translating an interior vision into the written word. You may think you’re not a screenwriter, but if you want to write powerful fiction, you will think in scenes and images.
If you are interested in an exploration, even if you’re an experienced writer, start jotting down small pieces in a notebook or document. It is highly likely first drafts will go over the fifty-word count that is set in flash fiction writing for Inktober. Over time, as pieces are refined to meet the word count, a wonderful miniature will emerge, conveying the heart of something distinct. The word prompt may be included as a word in the piece or it can simply serve as the inspiration.
Even if you don’t want to write fiction or publish, exercises like this sharpens verbal ability; broadens thinking; enhances problem-solving; and develops voice and self-knowledge. Yours —Margaret
When you feel alone in your illness, let your strength demonstrate your dignity, let the sun crown you sister and brother, let the moon guide you as your mother and father. And if it is your turn to lie down, let the gentle earth receive you in her arms.
On a work break, he slipped his hand under her blouse to roughly fondle her pitted breast. She was on her way to a radiation appointment. Men seemed attracted to her damage but her passion was reserved for photons. She slapped his hand away. Imbécile!
Whenever she heard certain songs, thoughts of a former boyfriend reached inside and twisted her insides. It had taken time to see his lack of interest, but they had both loved rock and roll. Did she really want to exorcise his ghost? She wasn’t sure.
I begin today this year’s fall-fifty-word-challenge. Some of these small pieces may be kitschy; some may be tongue-in-cheek; and some may not have as much to do with Halloween as with the darker aspects of life in general. I confess I wrote this one sans prompt. I intend to post some prompts for those interested in participating.—Margaret
Unkempt Angel, Wayne S. Grazio (Abandoned Mauseleum, Manila Chinese Cemetery, Manila, Philippines)flickr
Sitting on the toilet lid, she slumps against the bathroom wall, her eyes fixed on the shower curtain, the spoon fallen to the floor, blood trickling down her arm.
They found her blue-lipped. Her sister said it was China Girl, come to take her from the pain.
Man in chair with dog in his lap, Florida Memory, State Library and Archives of Florida,flickr
It is almost September! Which means it is almost October! Which means it’s close to Halloween!
I was revising some posts this morning, and particularly the fifty-word fiction pieces I wrote for last year’s Inktober. A few years ago, I started following someone for this little literary spooky spree, writing a delicious bite-size story each day of October. But for a couple of years, I have blazed my own trick-or-treat trail, creating my own prompts. And last year, I wrote several posts laying out my thoughts about writing fun size.
I plan a return to Inktober excitement this year. And I may start as early as September. October being what it may be for me this year, I don’t want to miss an opportunity to craft gloomy confections. If you want to join me, I hope to post prompts soon, some of which may be repeats, but which I enjoyed, ergo: Favorite prompts, round two!
Prime the pump with scary thoughts while I put a cauldron over the fire.