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Within A Forest Dark

~ fiction and reflections by Margaret Sefton

Within A Forest Dark

Category Archives: a writer’s personal note

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Posted by Margaret Sefton in a writer's personal note, creativity, depression support, fantastical fiction, flash fiction, magical realism, Writers of Central Florida, writing and mental health

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magical realism, mental health, story sharing

Hello, friends and visitors. Life has thrown me a curveball and I’ve been a bit off my game in many ways. I’m learning to function on a lower dosage of my mood stabilizer and for now, that has affected my thinking and functioning. In some ways, I feel the same, but in other ways, I feel quite different. I may be touching base just to share observations or maybe even a little story I manage to eke out. I am ok with varying modes and varying levels of productivity. Besides, I sometimes think, you never know what new thing may come out of it, or new insights, or new connections. I hope this Sunday finds you well. If you are an American celebrating Thanksgiving stateside or abroad, I wish you memorable times. If you are alone, may your times be no less cherished. Here is a piece published recently in Corvus Review, a piece I have also shared here some time ago. Peace—Margaret

P.S. I have migrated from Twitter to Mastodon should you wish to follow me there. I hope to post something Christmasy soon. 

Mastodon

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They had agreed to meet at the kitschy restaurant next to the vinyl records store. He thought she might like the restaurant’s eclectic confusion of chandeliers and stained-glass panels that hung from the ceiling. He preferred sparsely decorated spaces and vaulted ceilings, but he knew she would like it. Although they were new to each other, they had chatted onscreen for months and he felt that in many ways, he already knew her.

He felt his stomach knot as he sat upon a hard church pew in the waiting area. For the first time, he worried about whether his antlers would become entangled in the low-hanging chandeliers or smash into a stained glass window and bring it crashing to the floor. People were generally accepting of him, but he nonetheless found it inconvenient to carry this weight on his head, though of course, his rack gained him respect. Who could argue with a 15-point man-buck? He had told her about this singular feature of his, but he didn’t have the space in his apartment to give her a full-screen picture. He didn’t care anymore. He didn’t have the luxury of self-consciousness. He was lonely and yearned for companionship.


She was all freshness, sweetness, and light, just as he had expected, based on the way she was on the screen. She gave him a hug and said how much she loved his antlers, immediately putting him at ease. And yet, once seated at the table, he inadvertently unhooked a chandelier with a point. He shrugged and wore it while they drank their wine. This tickled her. The staff scurried about, debating how to extricate the gold branches of the light fixture from his crown.

But the bigger problem came with the meal. She had made him so comfortable that he forgot himself when he ate his salad. Although he had long practiced eating in the manner of a civilized person, isolation during the pandemic had unmoored his self-discipline. At first, he wasn’t even aware that his relaxed state had freed his mouth to engage in its old, circular motion, much in the exaggerated fashion of a deer.

He saw her staring at him, watching his mouth. She was no longer laughing and delighted. She had nothing to say to him to help him save face. She made an excuse to make a phone call outside and she didn’t return.

Out by the railroad tracks which led to the woods where his brother had died, where his mother had given birth to him, and his father had taught him to forage and fight, he wondered if it had been an overreach for him to be in this other world. He gave in to this likelihood and let his hands become hooves. He bolted through the empty Florida city and out through pastures and orange groves, and up into lands farther north, familiar breezes, forests of berries and trees and acorns.

Published in Corvus Review, Issue 18

Bach Brandenburg Concerto Friday

05 Friday Aug 2022

Posted by Margaret Sefton in a writer's personal note, Classical music, Writers of Central Florida

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Bach Brandenburg Concerto, Claudio Abbado, Orchestra Mozart

How are you this Friday? I thought I would share this. I love it so. I’ve been revising my stories and submitting them to journals for consideration. I should learn about the status of one next Monday and if I learn something, I’ll share. I look forward to the season turning as much as it ever “turns” here in central Florida! I hope to publish something more personal here on my blog before long. I hope you will enjoy your weekend. Sincerely—Margaret

Flash fiction published

20 Wednesday Jul 2022

Posted by Margaret Sefton in a writer's personal note, original flash fiction, publication, published stories, publishing

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animal fiction, flash fiction, pandemic fiction

George Arbalarster, on Kluge printing press, Sydney, 1936. flickr

A piece of mine was published in June by the wonderful Corvus Review.

Friday Bluegrass

08 Friday Jul 2022

Posted by Margaret Sefton in a writer's personal note, American folk music, bluegrass, bluegrass favorites, gospel bluegrass, Writers of Central Florida

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Beautiful Altar of Prayer, Flint Hill Ramblers, Music of Appalachia

I hope you are well, peeps. —Margaret

Inspiration

05 Tuesday Jul 2022

Posted by Margaret Sefton in a writer's personal note, About writing fiction, mental illness, mental illness fiction, Writers of Central Florida

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first person narrative, Maggie Gyllenhaal, Sylvia Plath

Annie Spratt, unsplash

I’m listening to Maggie Gyllenhaal’s excellent reading of Sylvia Plath’s The Bell Jar, a first-person semi-autobiographical narrative about a writer sliding into mental illness, severe depression. I’m looking back at an old story of my own and am wanting to fill it out, to add detail and interest. Like Plath’s Bell Jar, my little narrative is told in the first person, and Ms. Gyllenhal’s helping me give a kind of approach with her annunciation and dramatic reading of Plath’s flawless diction. Some recent work I’ve been doing concerns mental illness. It’s a challenging subject, even if you have some firsthand experience. I liberally apply here the Wordsworth quote my Romantic poets professor often used back in the day: “Poetry is the spontaneous overflow of powerful feelings: it takes its origin from emotion recollected in tranquility.”

Have a great day.—Margaret

4th of July 2022

04 Monday Jul 2022

Posted by Margaret Sefton in a writer's personal note, American composers, American music history, Classical music, july 4th, Writers of Central Florida

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4th of July, Aaron Copland, Democracy

Photo: Florida Memory, Marion Duncan in costume for 4th of July play, Tavares, 1895, flickr

Despite our flaws, may America always stand. May plans to besmirch our hopes for a country governed by its citizens be thwarted. Be well on this day. Be at peace. At least for a day, if not a few.—Margaret

Willie Nelson covers Charles Aznavour

25 Saturday Jun 2022

Posted by Margaret Sefton in a writer's personal note, American country music, American music history, Country music, Writers of Central Florida

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American music legends, Charles Aznavour, Willie Nelson

Only after the age of 50 can I really appreciate Willie Nelson. I think the words of this song speak to the obliviousness of this youthful mindset. The lyrics are so real and insightful, they could be in Proverbs or Ecclesiastes. It’s a Willie Nelson Saturday because it just seems the thing today. He is such an American troubadour, poet, philosopher. I hope you are well, friends. —Margaret

And a bonus, because I can’t resist…

Solace for the Wayfaring Pilgrim

24 Friday Jun 2022

Posted by Margaret Sefton in a writer's personal note, American folk music, American music history, bluegrass, bluegrass favorites, favorite folk, Writers of Central Florida

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Appalachian bluegrass, Ola Belle Reed, Wayfaring Pilgrim


I think there are only a few people who can sing this properly (Jack White’s version is quite strong as well.) When I was young, I had a guitar and sang some songs, and my mother, who doesn’t hold back her opinions, said I didn’t have the soul to sing one of her favorites—“The Rose” by Bette Midler. She was probably right. Experience and hardship helps a singer convey feeling, grit, even tears, though the young and inexperienced may give a song a whirl, nonetheless and keep music in their backpocket for solace during harder times. I probably should have kept up with my guitar, though I still have it. Maybe I’ll pull it back out one of these days. Take care, wherever you are. —Margaret

Ola Belle Reed

22 Wednesday Jun 2022

Posted by Margaret Sefton in a writer's personal note, American folk music, American music history, bluegrass, bluegrass favorites, music for the pandemic, Writers of Central Florida

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Appalachian folk music, bluegrass greats, Ola Belle Reed

She is a singular musician. I hope you are ok out there. —Margaret

Summer solstice 2022

21 Tuesday Jun 2022

Posted by Margaret Sefton in a writer's personal note, dark America, democratic process, Writers of Central Florida

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America on the brink, Jan 6 Committee, threat to democracy

Photo: Red and White Poo by Roy Harryman, flickr

IMHO, one thing the Jan 6 committee is making crystal clear is that unless the DOJ prosecutes, we won’t be living in America in two years. I’m so grateful to have some other things to focus on though, including family, friends, other writing colleagues, discussion groups, getting healthy, selling and donating things I don’t need, work. Be well wherever you are. —Margaret

Rainy Day Jazz

28 Saturday May 2022

Posted by Margaret Sefton in a writer's personal note, fave jazz, favorite jazz, jazz heals, Writers of Central Florida

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American jazz, jazz, Memorial Day

With everything happening this past week in our nation and world, I decided to create a quiet jazz playlist. Be well. I hope you are ok. Sincerely—Margaret

Write or die

24 Tuesday May 2022

Posted by Margaret Sefton in a writer's personal note, publication, publishing, submitting, The Arts in Central Florida, Writers of Central Florida

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creative writing process, flash fiction, submitting and publishing

Photo: Woman holding typewriter ribbon at Royal Typewriter, SMU Libraries Digital Collections, 1930s, flickr
(I changed out some ink in my Canon laser printer this morning, so close enough.)

Flash fiction revision and submission week!

Be well, chicos and chicas.

Margaret

Breath

23 Saturday Apr 2022

Posted by Margaret Sefton in a writer's personal note, personal essay, Writers of Central Florida

≈ 2 Comments

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florida, healing from pandemic, spring

Florida Memory, Towering Palms, State Archives, flickr

I was out today in my little yellow Ford Focus doing some errands. I felt just a few pounds lighter; my hair had grown out a little from an unwanted severe cut; the sun shone down through the sunroof, delivering light to my pale face. The weather was warm but breezy, beach-perfect on this spring Florida Saturday. My body has felt the stresses of the last few years, yet I still wear a mask when I go inside businesses to make purchases and post a package. As a cancer survivor, I don’t want infection and long covid effects, though I realize a piece of cloth at this point is a feeble defense in a sea of germs. I don it anyway. However, I take my sunglasses off when inside to at least appear less lady-bank-robber. And today I wore a light blue shirt, a blue and white paisley cotton mask, light summer jeans, sandals. I was feeling good vibes.

One of my errands was the liquor store where a tall, sandy-haired guy greeted me in an aisle and asked me how I was doing. He did this in a way that seemed like he could be either just a friendly customer or a well-trained employee. I noticed that he was handsome, young, fit but in an easy surfer, Florida way, nothing overdone. Well done, liquor store. He was likely 30s tops, maybe good-lifestyle 40. But the friendly part was the thing that mattered.

They were playing “Ring My Bell” from my Arkansas-roller-skating grade school days, though six of us Orlando high school girlfriends used to ride around in one of our mom’s minivans and sing it, on our way to the mall through the heat and humidity, on our way to a night out somewhere, the vigorous palms and live oak overhead dripping with Spanish moss watching over us in loco parentis.

It was lunch hour at the liquor store, the time most populated by my generation. Usually most of this set have minivans or hybrids and do an economy spend of a few cases. I often see them packing up in the lot from their full carts. I’m more of an as-needed shopper since I live just a few miles down the street on the other side of the highway. I pick up a six-pack or a liquor bottle and/or mixer.

It is a nice store, bright and well-kept in a well-manicured area of town financed by Disney, financing soon to be destroyed by a strange man, apparently a not-Disney person who wants to crush everyone’s good times. I thought of that as I drove around today, enjoying the incredible, lush beauty, but tried not to think of it as well, tried not to think too much of stupidity and wretchedness and how ego can literally crush everyone’s life and environment. No, I try not to think of it too much.

At the store, I headed straight to the refrigerated section stocked with variations of my brew, a Belgian wheat. They were out of the light, so I took a six-pack of the mango-flavored. I’ll have to admit, I was happy when a floor walker directed me to a register manned by the employee who had greeted me in an aisle. He was a tall 6’2″ or so, very Florida, so like many of the surfer guys I have known; like my late brother, a surfer and chill person; like my friend from high school, a lover of Jimmi Hendrix a generation too late and eventually a heroin addict on the street; and like too many to list, from high school and even into adulthood.

Surf-liquor man was a very good salesperson and knew how to talk and field my question about my preference for the light. He was ready with a story about it and a quip about supply chains and the lack of creativity of certain manufacturers in meeting demand.

He reminded me of my own son, the same sandy blond hair, easy conversation.

All these moments and more, moments of sharing space and conversation and laughs, had not happened as much for a few years of pandemic isolation, at least not as much for me. For me, it was sometimes the fear that kept me further away than I should have allowed myself. And today, I didn’t really feel that fear so much. And I thought of how much we need these little moments, sometimes even more than “significant” ones. The lack of these tiny human exchanges over a long stretch of time can break us down a bit, and sometimes they can break us down a lot.

On my way home, I had a sudden urge to hit the road, to drive until I hit the beach about an hour away. But my second thought was that I needed to save my gas money for the drive to see my mother on Mother’s Day. My tank is now is 3/4 full which means if I’m conservative, I can fill it a few less times this May. My irrational hope is that somehow the world may soon be absent one less dictator; may soon be absent one less ruiner of lives, economies, and peace. My irrational hope is that soon I will breathe easier when I think of trips, of beach trips, of family trips, of just-because trips, of just-sanity trips and beauty and fun trips. And more to the point, I pray against all hope those most affected by the crushing will finally and somehow be afforded the chance to survive; be afforded the chance to recover; be afforded the chance to put their lives and communities back into some sort of discernible order.

Another favorite song I heard today was one I played in my car on my way home from errands: George Harrison’s “My Sweet Lord.” In a fleeting music-inspired-feel-good-moment, it caused me to think romantically that there must have been so much idealism in the world when it was composed. And yet, and yet…there was war then too, and this song was in heartfelt protest.

Today afforded me a little breath. I can now hear the wind filtering the leaves outside of the living room of my apartment. I think there have been many days these leaves moved with the wind, but my own breath has awakened my senses.

And now, I hear a bird…And now, I wish you a good Saturday.

Busking: Support me

04 Friday Feb 2022

Posted by Margaret Sefton in a writer's personal note, About writing fiction, business of writing, creative community, Support me, writers in quarantine, Writers of Central Florida

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Simily, support writers, writers' life

Typist…by henry, flickr

Hi! I’m sorry I haven’t posted in a few days. I’ve been in a bit of a panic, as indicated in my last post, regarding rising rental costs here in central Florida. But now, it seems I’ve resigned to hunkering down where I am for another year, starting to sell a lot of my stuff, and possibly moving when a renewal offer is on the table again.

I am taking the challenge by the horns and setting up ways to bring in a little extra money. On a new writing platform called Simily, I have set up an account where I can post my stories, interact with other writers, and get paid when I receive views. It’s two cents per story view, but I expect the site audience to grow and the corresponding passive income to grow as well. If you would like to help me, or if you’re just curious, check out my profile to get links to my stories. I will be adding more over time.

And check out the site as a whole while you’re there. Consider subscribing. One thing I like is how easy it is to find content I want to read. I can go to “groups” and I can see the genres and categories writers are posting work to. I can join those groups if I want to post and share and participate in conversations. Or I can read without joining. By being a subscriber to the site, I can follow my favorite writers. Subscribing is not expensive. And because the site is still new, it’s not overwhelming to navigate. It’s still in development, an exciting time to hop on board.

That’s one of my busking projects at the moment. I’ll be back to share more. I hope you are doing well this Friday. Yours truly.—Margaret

Vintage Winter

31 Monday Jan 2022

Posted by Margaret Sefton in a writer's personal note, writers in quarantine, Writers of Central Florida

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2022 freeze, Huron County, vintage winter

Ok, no it’s not that cold here in central Florida, and thank God for Great Clips, but as far as the weather down here is concerned, it was 36 degrees in the wee hours of this morning. Many of our warm-weather creatures have it rough right now. This awesome pic is from a Huron County Museum archive on flickr. The date is circa 1917.

In other Florida news, rental prices in Central and South Florida have skyrocketed, up by approximately thirty percent. It has affected me and so many Floridians. I’m a little worried for our state, to say the least, regarding this and other things. I keep thinking about Ola Belle Reed. She was wise and talented. Be well.—Margaret

In the Hills of Tennessee

16 Sunday Jan 2022

Posted by Margaret Sefton in a writer's personal note, American folk music, American music history, Writers of Central Florida

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adventure vacation, Jimmie Rogers, midlife divorced mom

When my son was 16, I took him to a summer camp in Tennessee. But first, we spent July 4th in Tellico Plains which a vacation website describes as a “vintage mountain town in East Tennessee, at the gateway to the Cherohala Skyway and the Cherokee National Forest.” As I recall, it was indeed vintage and I was glad I had stocked a cooler full of supplies before entering this part of the country. I was also grateful for a sturdy four-wheel drive SUV for, after having dropped my son at camp, I had a terrifying moment of having to weather a flooded road to get to my cabin, tucked deep into the woods. It was an early single mom experience. When I was young, I embraced wildness and adventure and feats of derring-do. Let’s just say life has schooled me in the ways of caution. I love this little gem of a song by Jimmie Rogers. Be well on this Sunday.—Margaret

Patrick’s Day

12 Wednesday Jan 2022

Posted by Margaret Sefton in a writer's personal note, film review, writers in quarantine, Writers of Central Florida

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mental illness in film, Patrick's Day, Terry McMahon

St Patrick’s Day – The Old Crown – High Street Deritend, Digbeth – Irish flags, Elliot Brown, flickr

Tonight, I watched the movie Patrick’s Day. It dramatizes a Nurse-Ratched style relationship between a mother and her mentally ill son. Blessedly, it is the son’s love for another woman, a romantic relationship, that begins to shake his mother’s domineering hand.

It is a wrenching movie at times, though again, a bit dramatic. Electroconvulsive therapy is portrayed as a horrendous instrument and in the movie, is used as a tool of control, whereas in IRL, it helps people at the end of the line who often have no other options. I’ve heard it’s more patient-friendly (At one time, yours truly was presented this depression-busting option as a way through a medication-free pregnancy, but I felt fortunate I did not require it, regardless of reassurances.)

Though the finer points of mental illness and treatment may have been stretched a bit, I thought it a great movie about mental illness, and a great movie in general. Movies have only touched the tip of a very big iceberg when it comes to exploring mental illness as a fictional subject. Sometimes the movies that are made follow a kind of morbid trope. For example, we have seen a Nurse Ratched before, though the Nurse-Ratched-type mother in Patrick’s Day inspired some pathos. (The mother of Patrick’s Day also reminded me of Frances Farmer’s mother in Frances.) It’s a big bravo for the movie that the plot continued to spin out, using character change and development to level up as it were. Ergo, it is a step beyond the grimness of Cuckoo, Frances, Girl Interrupted, etc.

I’m interested in finding out other people’s opinions of the portrayal of illness and caregivers in this and other movies. I hope for continued dialogue, and of course, more movies.

Buenas noches, mis amigos.

Margarita

Rare Beasts

11 Tuesday Jan 2022

Posted by Margaret Sefton in a writer's personal note, movie rec, Writers of Central Florida

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Billie Piper, film, Rare Beasts

Roses by Patrick Ahles, flickr

Have you seen the movie Rare Beasts? It’s fun and quirky. Roger Ebert says “I can’t make heads or tales out of this bleak black comedy about a single mom dating a borderline incel coworker who craves the status of marriage but seems to hate women and wants none of the work involved in actually making a relationship.” Oh, Roger. Take a breath. And like, laugh? The movie is hilarious. Its greatness is its lack of predictability. Here, have a rose. RIP. We miss you—Margaret

The perils of risk

03 Monday Jan 2022

Posted by Margaret Sefton in a writer's personal note, business of writing, publishing, submitting

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creative process, publishing microfiction collection, publishing stories

Reflection of Figures on Small Bridge, Arne Halvorsen, flickr

I have been bragging about how I have been submitting to journals the last couple of weeks. But then again, I’m experiencing how hard it is to submit to journals for any length of time and pursue it conscientiously. I used to send stories out scattershot, more or less, not because I wanted to waste anyone’s time, but because I really didn’t know how to discern which stories would match with which markets. Or, I just didn’t want to feel too much. I could always blame rejection on my ignorance and so I wouldn’t have to feel as bad.

I know more now. And the possibilities don’t look as plentiful; and my voice, range, and writing interests have narrowed. I am glad I know myself more as a writer, that I have “found” my voice and the scope of my style and genre, but this sometimes makes me feel more limited in terms of direction and choices.

I have also been trying to figure out how I might package and promote a collection of dark microfiction, how I might find a possible publisher. Hopefully, there’s a market that would be interested in my particular, and peculiar, collection. At a time when I had more money and the world wasn’t what it is now, I would fly to attend conferences to discover markets and publishers.

Over the years, I have changed in my writing and thoughts about writing, as well as what I value as a person. When I was a newer writer, the world was almost overwhelming because I was stymied by seemingly endless choices and I wasn’t as sure what direction would feel most natural. After I have made a number of choices and made my way down a path, the way has started to seem more predestined. I’m not sure all my choices have left me with the best possibilities. And it’s not cool in America to talk about limitations, but these could also be coming into play.

But, I’m going to be ok for now with living my life and doing the best I can with what I have and staying off of social media when those little feelings of inadequacy come haunting.

The Humans

02 Sunday Jan 2022

Posted by Margaret Sefton in a writer's personal note, movie review, Writers of Central Florida

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Amy Schumer, Stephen Karam, The Humans

Street scene by Jean-Philippe Rebuffet, flickr

The Humans is a dark, atmospheric movie, a tale of unease, about three generations who gather together in a pre-war Manhattan apartment for a holiday meal. Though it is billed as a horror-comedy, the movie itself doesn’t quite match this description. There is lightness at times, but only in relation to the film’s more interior and pain-filled moments. I didn’t know what this movie was at first but became spellbound with each new shot—almost like dark modern art pieces—and each new turn in the story. Part of what captivated me is the way sound is used—the muted effect of conversations and the occasional silence as well as the disturbing noises of a very old building. It is all a slow burn. I feel the idea of it—the realities it portrays—is very “now” though it is timeless as well—the darkness, the starkness of contingent existence, a yearning for hope, light, and connection. Amy Schumer does a magnificent job in this dramatic role. The cast is stellar. I highly recommend it.

Streaming on Amazon Prime

Twelve Nights by Urs Faes

02 Sunday Jan 2022

Posted by Margaret Sefton in a writer's personal note, book review, Christmas stories, Writers of Central Florida

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book review, Twelve Nights, Urs Faes

I love writing seasonal fiction. But even more than this, I love reading seasonal fiction. This novella is set in the snowy and haunted landscape of Europe’s Black Forest during the time between Christmas and Epiphany. A man returns to his childhood home to figure out what has become of his estranged brother, rumored to have fallen into a depression after the death of his wife. It is a beautiful immersion into the natural world and an exploration of mystery, storytelling, and tradition.

More about Hoppin’ John

02 Sunday Jan 2022

Posted by Margaret Sefton in a writer's personal note, American food traditions, Southern food traditions, Writers of Central Florida

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Happy 2022, Hoppin' John, New Year's traditions

This is a wonderful presentation of the Southern tradition of Hoppin’ John at New Year’s—its history and the dish’s components. And when you eat leftovers the following day, it’s called Skippin’ Jenny and stands for extra good luck because it shows you are thrifty and don’t want to waste what you have. Whatever your food traditions, may your new year find new opportunities for exploration and community. —Margaret

Happy 2022!

01 Saturday Jan 2022

Posted by Margaret Sefton in a writer's personal note, business of writing, publication, publishing, submitting, Writers of Central Florida

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Happy 2022, writing and publishing, writing goals

Photo by Debby Hudson on Unsplash

Happy New Year! I’ve decided to start the first weekend of the year by submitting fiction to literary journals. Since mid-December, I’ve submitted eight stories to eight journals. May we all turn a productive new leaf past the pandemic mayhem! Be well. —Margaret

New Year’s Eve

31 Friday Dec 2021

Posted by Margaret Sefton in a writer's personal note, Holiday traditions, Writers of Central Florida

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Holiday traditions, Hoppin John, New Year's Eve

What are you up to? I’m enjoying a Guinness and cooking up some Hoppin’ John, that southern New Year’s tradition. I hope mine turns out. I’m not used to soaking black-eyed peas. The few times I’ve made it, I’ve used canned. Also, I bought a ham hock, which is new for me. I need all this for good luck! If I bomb, I will be desperately tracking the dish or a can of peas down tomorrow, lols. Be well. And Happy New Year. —Margaret

Update: It’s made, and it’s a success! Yay!

hoppin’ John by Jen R, flickr

The Beautiful Game (900 words) — Slumdog Soldier

25 Saturday Dec 2021

Posted by Margaret Sefton in a writer's personal note, blogging, family, Merry Christmas, reblog, Writers of Central Florida

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Christmas, family, global peace

My father, who is now a retired minister, frequently incorporated this story into his sermons. It is beautifully told by this blogger. I know my father would love this post. You can read more about my father here. He wrote a wonderful book about the Biblical figure of Joseph, tying in his own history and the history of our family. He and my mother, a former English teacher, gave me a love of language. I wouldn’t be writing my stories and publishing pieces on my blog were it not for their influence on my life. I encourage you to read the story of my father and his work and follow this amazing blog post. I wish you a holiday of peace and joy, wherever you are. —Margaret

The guns had fallen silent, but soon they would be pounding again, shaking the earth, shaking the rats out of their holes, making the dead tremble out in No Man’s Land. Christmas Day, yet nothing to show for it – no snow, no laughter, no celebration. Nothing to celebrate. Rags of torn clothing hung on […]

The Beautiful Game (900 words) — Slumdog Soldier

my own submission workshop

21 Tuesday Dec 2021

Posted by Margaret Sefton in a writer's personal note, About writing fiction, publication, Writers of Central Florida

≈ 3 Comments

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fiction submissions, flash fiction, the business of writing

Santa’s Workshop by Pierce Place, flickr

Since December 13, I’ve submitted six of my stories to six literary journals, and I’m so excited. The origin of one of the stories dates back to about fifteen years ago, though it has evolved over time. Other stories are more recent. I used to submit stories to several journals on the first pass, but these days I try to be more targeted and really try to figure out which journals would be best suited for my work. I have become braver about submitting work. And although rejection stings a little, self-acceptance and a can-do attitude cover a multitude of woe-is-me’s.

Maybe I’ll settle down for my long winter’s nap, but this is good work for now.

happy writer, happy life

19 Sunday Dec 2021

Posted by Margaret Sefton in a writer's personal note, Writers of Central Florida

≈ 5 Comments

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fiction, publishing and submitting

Photo by Laura Chouette on Unsplash

Sometimes I feel caught between my best interests as a writer and my needs as a person, especially during this shifting scene of our pandemic and the resultant isolation and lack of community. For example, I find it helps me to share what I have written on my blog. It helps me feel less isolated. Sometimes I may even be fortunate enough to get a comment or two. As a writer, I really need this to keep going. It helps me to produce and move forward. After getting some encouragement, I will often, but not always, take a piece down and try to publish it in a journal.

Not all journals will accept a work that has previously been “published” on a blog, however brief its appearance. I understand and respect that. As a former journal editor, I used to have that same policy. However, I have loosened my views about this. That being said, I recently missed out on the chance to have a story appear in a journal because it briefly appeared on my blog. When it came to signing on the bottom line, I checked with the editor regarding their policy, and sure enough, the piece was ineligible for publication with this particular journal.

Writers have to sometimes do what they need to do to keep the synapses firing. At times, this is the larger concern. Pay for publication is rarely beyond token for short fiction, for example, and in the tradeoff for the psychological gains of an audience, however tenuous that support, I often err on the side of doing what feels best in the moment. I pray for venues that might like what I’ve written and not mind its archived history on some obscure patch of the interweb, a history that will be close to obsolete in a few months’ time after I have deleted my blogpost.

It is a tradeoff, but I do understand editors’ perspectives on this.

Still, the larger value for me at present is happiness.

Home for Christmas

16 Thursday Dec 2021

Posted by Margaret Sefton in a writer's personal note, Christmas stories, favorite fiction, holiday fiction, Writers of Central Florida

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Henry James, Holidays, storytelling

This is the extent of my Christmas decor this year. On the table beside my chair is a Henry James collection, including one of my favorite stories: “The Turn of the Screw” The Victorians used to share ghost stories around the fire on Christmas. That is the frame for the story within the story in James’s masterpiece. I think that people yearn for meaning over the holidays, especially in these years of our global pandemic, and that is why stories we find in movies and books; houses of worship; and gatherings with friends and family bring such comfort. Be well and reach for a story. —Margaret

Friday’s Freddie Freeloader

10 Friday Dec 2021

Posted by Margaret Sefton in a writer's personal note, American jazz, American music history, fave jazz, Writers of Central Florida

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Freddie Freeloader, Kind of Blue, Miles Davis

I’m considering crossing town tomorrow night for a little jazz education at an Asian fusion restaurant/lounge. A musician will be teaching some insights to some wannabe jazz cat groupies lol. I’ll play it by ear. In the meantime, there is Freddie. And Miles.

To keep the Freddie mood going, try out the Freddie Freeloader list on youtube. Primo.

Margaret on Medium

19 Friday Nov 2021

Posted by Margaret Sefton in a writer's personal note, Medium, social media, Writers of Central Florida, Writing flash fiction, writing inspiration, writing to a prompt

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Medium, Writing flash fiction, writing inspiration

Face in the Sky by Shane Taremi, flickr

Hi. Do you read stories on Medium? Do you write and post them? I just got started.

Here is a piece of writing you may recognize from my blog in case you want to check it out and maybe even follow me. I published another piece several months ago.

I love learning new things and would love it if you followed me there.

I hope you’re having a good Friday night! —Margaret

Oopsies

18 Thursday Nov 2021

Posted by Margaret Sefton in a writer's personal note, Writers of Central Florida

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egregious errors, spelling

Sometimes I can’t spell. But if you revisit my blog a couple of times, mistakes will usually get cleared up! Ugh!

Andy Irons: Kissed by God

24 Sunday Oct 2021

Posted by Margaret Sefton in a writer's personal note, documentary review, film, mental health, movie review, writers in quarantine, Writers of Central Florida

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Andy Irons, documentary, mental health

Wading in, a lone surfer makes his way into the Pacific Ocean off the coast of Encinitas, California USA, Wayne Grazio, flickr

I seem to be doing some documentary movie therapy this weekend. But some parts of my week have been stressful, trying to find some work in order to cover rising costs, medical appointments, diagnostic tests. Ah yes.

Today I watched the documentary Andy Irons: Kissed by God. Andy Irons was a world champion surfer who had bipolar disorder. The filming, setting, and beautiful people make this documentary truly breath-taking. And the story is captivating.

Something an uncle told me, an uncle who was a psychiatrist, was that people with bipolar can often achieve in spite of bipolar, not because of it. (Sometimes bipolar people stop taking their meds because they believe it is the bipolar that gives them their gifts and that the meds will take it away.)

This documentary presents a great story of a person’s journey to find himself, find love, create a legacy.

Surf culture is a part of life down in Florida and I have known at least one person who has done this on a competitive level. I love the beach and hope to live there and am actively looking for an opportunity. I hope to have the chance to walk my old bod down the shore on the reg.

I was diagnosed with bipolar about twenty three years ago. I take my medication and on the whole don’t struggle with addiction, excluding one over-prescribed drug I am now free of. Something the documentary reminds me of, however, is that bipolar is lifelong. Something I learned about from the film that I hadn’t heard from any doctor I see is that bipolar is now thought of as a whole-body disorder; it affects many of the body’s functions; it can contribute to more rapid aging. It is being thought of now as an energy disorder rather than simply a mood disorder. Here is an expert on the cutting edge who appears in the documentary.

The documentary is beautiful and in an interesting way, therapeutic with all of its incorporation of the natural setting of the ocean and water.

I hope you are having a good Sunday.

Sincerely,

Meg

The Waiting Room

23 Saturday Oct 2021

Posted by Margaret Sefton in a writer's personal note, documentary review, film, writers in quarantine, Writers of Central Florida

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American healthcare, ER, Waiting Room

Closeup view of an old retro clock on white wall. Dejan Krsmanovic. flickr

I want to recommend the documentary The Waiting Room, a cinéma vérité  documentary about an emergency room in a public hospital in Oakland, California. Stories of people living on the financial edge and the dedicated care workers doing their best to provide help are often devastating and heartbreaking. But there are many moments of light and hope, especially embodied by a nurse who does health checks in admissions. She reminds me of a phlebotomist I used to see when I had to go into the hospital for treatment. She always knew where to find a vein, what to say to put me at ease, and how to inject the moment with humor. In The Waiting Room, the ER serves a patient population without insurance, those in danger of slipping through the system. There are stories and scenarios that caused me to tear up. So much of our entertainment can be derivative and deadening. Though this documentary concerns itself with life and death, it is truly alive in the most human sense.

Dopesick

21 Thursday Oct 2021

Posted by Margaret Sefton in a writer's personal note, memoir, movie review, television series review, writers in quarantine, Writers of Central Florida

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addiction, clonazepam, opioid crisis

Cindy Shebley, flickr

I am watching Dopesick on Hulu, a drama exploring the rise of the opioid crisis. I highly recommend it. It has me remembering the old days of trying to wean myself off Klonopin and the initial cold turkey approach fallout. When I decided to do a search of its relative addictiveness compared to opioids, I found it right up there with the top 9. At one time, I had a blog under a pseudonym where I wrote about my experience. I wish you well on this Thursday, ten days until the eve of All Hallows.

NYC Midnight

16 Saturday Oct 2021

Posted by Margaret Sefton in 250 word fiction, a writer's personal note, About writing fiction, creative arts, creativity, flash fiction, flash fiction contest, writers in quarantine, Writers of Central Florida, writing to a prompt

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flashfictioncontest, MicrofictionChallenge250, NYCMidnight

Nursery School, National Library of Medicine, flickr

I submitted my 250-word fiction to NYC Midnight, roughly 12 hours ahead of the deadline. I have been assigned to a group of writers who have been given the same parameters of genre, action, and word. Submissions are anonymous. This is all most mysterious. But fun.

 #MicrofictionChallenge250 #writers #flashfiction #writingcompetition #nycmidnight

The Arts

14 Thursday Oct 2021

Posted by Margaret Sefton in a writer's personal note, About writing fiction, creative arts, creativity, writers in quarantine, Writers of Central Florida

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creative process, inspiration, the arts

Child in Bronx Botanical Garden by Stanley Zimmer, flickr

When you feel a small seed of an idea, you want to live alongside it, let it nurture you, let it inspire observation and questions. Creating is a delicate process. 

Sleepy bees

09 Saturday Oct 2021

Posted by Margaret Sefton in a writer's personal note, writers in quarantine, Writers of Central Florida

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blogging, publishing blogposts, WordPress

Sleeping bees in a pumpkin flower by Hope Abrams, flickr

I figured out my blogging “bug” that I posted about yesterday. Turns out there was an issue with my not changing the settings. Since I have started engaging in Inktober, more posts appear on my initial page because of how short these posts have been. And so, I needed to increase the count for the number of posts that appear in the feed. So, mea culpa. The bees have the right idea here: Let’s go back to sleep. It is nice to know even lovely bees have a siesta. Enjoy your Saturday.

WordPress what gives

07 Thursday Oct 2021

Posted by Margaret Sefton in a writer's personal note, writers in quarantine, Writers of Central Florida

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blogging, technical glitch, what am I doing wrong

Kenny P., flickr

I happened to scroll down my posts and noticed quite a few posts are showing up again further down in the posting order. All of these posts should only appear in order at the top of the page as this is how they are designated in my settings. I have so little buzz today, WP. You wouldn’t try to harsh it? If I see a repeat of this darling bug further down in my posts, I may have to wonder if my blog is haunted by ghosts of posts past.

Just saying hello

06 Wednesday Oct 2021

Posted by Margaret Sefton in a writer's personal note, writers in quarantine, Writers of Central Florida

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children's book illustration, Mary Mapes Dodge, St. Nicholas

St Nicholas (serial) 1873 by Mary Mapes Dodge, Scribner & Co, Internet Archive Book Images, flickr

Why are writers so weird?

02 Saturday Oct 2021

Posted by Margaret Sefton in a writer's personal note, About writing fiction, writers in quarantine, Writers of Central Florida

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a writer's life, writing inspiration, writing process

Image from page 238 of “Bizarre,” (1914), Lebanon Valley College, flickr

Often the time of the first impulse to write something is the best time to take it down. For me, impulses don’t age well. It is like knowing you love someone but delaying a response to their own love declaration for you—whether your response is a few seconds late or minutes overdue or you are tardy a few days or longer, heaven forbid.

An idea touches down on my noggin and it’s as if it is saying: “Here I am, waiting to bless you.” But then sometimes I think I must say: “I’ve told myself I absolutely must be serious about such and such (insert adult task) and if you would be so obliging as to interrupt me at a more convenient time.” A few hours or days later, I’m ready to rock and roll with my lovely and I’ve lost a sense of the tone, the pitch, the rhythm. It had a real tangible feel and now it’s just a bit of yellowed nostalgia like aged, delicate paper. I can’t connect words to an old feeling. I can’t recapture the mouth feel (Yeah, that’s a food metaphor).

Why is it hard to write and be a normal person? Because it is. I think early clues of my own “abnormality” would be others’ teasing me for often spacing out or being slow to join classmates in learning activities. Surely that was an early form of the waking dreams I was subject to and later pursued as an adult, attempting to capture them in writing. And yet, to write what I hope to write and that is, the things that are most important to my heart, the stories and words that feel most urgent, means I can’t allow myself to get “too old”—allow myself to get stodgy, curmudgeonly, closed. I have to walk around open constantly and willing to take down words on command. I guess the only hindrance would be lack of writing instruments or going under sedation for a procedure. Or of course, driving.

A couple of days ago, I thought of my response to the Inktober prompt “star” (see my earlier posting of Inktober prompts). I had a sense of the sound, the feel of how I wanted to approach it though I said to myself, you know, I want to learn more about meteor showers and where to watch them. This little research made me even more excited about the prompt. But instead of marrying my feeling and early sense of sound together with my research, I left my love alone to pursue some chores.

What I have now is alright, but it wasn’t what I intended. But this often happens. We live in the world. The world won’t stop for us to write and then carry on once we decide to engage in the world again. Then again, our beloved conception of an idea won’t always be present for us in the same way it was initially, though she is often present for a competent dance or two. This has been my experience. It is both thrilling and frustrating, just like love.

Playing Musical Vases – Sobek’s Tears — The Alchemist’s Studio

01 Friday Oct 2021

Posted by Margaret Sefton in a writer's personal note, reblog, visual art, wordpress blog recommendations, writers in quarantine, Writers of Central Florida

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pottery, Sobek's Tears, The Alchemist Studio

A note from yours truly: One thing I love about WordPress is witnessing beautiful art and writing by people I follow. The memory of this work and the story that accompanies it has stayed with me this past couple of weeks and I thought I would share it. I hope you will check out this blog.—Margaret

Gotta song that you think goes with one of our vases? We invite you to add yours in the comments!

Playing Musical Vases – Sobek’s Tears — The Alchemist’s Studio

lil’ ole me

01 Friday Oct 2021

Posted by Margaret Sefton in a writer's personal note, American folk music, American music history, movie review, music commentary

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American vaudeville music, I don't want to play in your yard, ukulele

How are you this Friday night? I keep hearing this song. I heard Peggy Lee’s cover in the soundtrack for the movie The Savages with Philip Seymour Hoffman and Laura Linney. Peggy Lee’s cover is beautiful, heartfelt, and pristine. And The Savages is a great movie. I’m in the middle of Reds (all three hours of it) starring Diane Keaton, Warren Beatty, Jack Nicholson, and others. Keaton sings this beautifully.

But I like this homespun cover. I’ve always thought it would be great to learn the ukulele. I looked at them when I was last in a guitar shop, which was ages ago, certainly pre-pandemic. I have long since neglected my guitar, so why not take up with another instrument. This is just the kind of song I would like to learn.

This singer gives it lots of heart and character. It seems just the right style for the lyrics. The sheet music was published in 1894. The composer was W.H. Petri and the lyricist was Philip Wingate. A cursory search on Google reveals that this was commonly sung by grandmothers in the early 1900s.

Blessings and Peace —Margaret

Clever Gretel

19 Sunday Sep 2021

Posted by Margaret Sefton in a writer's personal note, book review, Brothers Grimm, folk and fairytales, writers in quarantine, Writers of Central Florida

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Brothers Grimm, Clever Gretel, funny folktales

german-dirndl-dress-heidis-closet-18 by Alessandra Nölting, flickr

I’ll have to admit, I have a thing for the #LeaveItChallenge on YouTube. Folks leave delectable items well within reach of their dogs and tell them “leave it” then leave the room. (There is a similar challenge for children called #candychallenge.) The camera tracks just how these tortured subjects react to the temptation.

I have recently purchased a book of the earliest versions of the Brothers Grimm folk and fairy tales. Later versions of these tales were sweetened for younger audiences. The earliest forms are more brutal, just like our R-rated movies and and more salacious forms of entertainment. But then there are some funny tales as well, such as Clever Gretel. I won’t ruin it for you, but let’s just say Clever Gretel is a #LeaveItChallenge laugh-riot.

Blaze

17 Friday Sep 2021

Posted by Margaret Sefton in a writer's personal note, American folk music, film, movie review, Writers of Central Florida

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Ben Dickey, Blaze Foley, Ethan Hawke

Guitar by Quinn Dombroski, flickr

There’s an excellent film on the life of Blaze Foley available for streaming on Amazon with an AMC subscription. I think it may be available through the end of September.

I only learned of Blaze Foley when I started listening to John Prine (for example, Prine’s cover song of Foley’s “Clay Pigeons”). Foley is a stage name the musician took up because of his admiration for the legendary country musician Red Foley. He also had a close relationship with Townes Van Zandt.

Sibyl Rosen, his wife, wrote about their life together in Living in the Woods in a Tree House. The film covers their life as detailed in the book, their life trying to start Foley’s music career, and the years following their separation.

Ethan Hawke directed and produced the film and just about everyone sings in this movie and does so beautifully – the actors who play Blaze and Van Zandt as well as the actress playing Sybil Rosen. Although he doesn’t sing in this movie, Kris Kristofferson plays a major part as Foley’s father.

After the movie, I watched an interview with Ethan Hawke and Ben Dickey—who played Foley—on KEXP (youtube). There is singing and guitar playing and insights about the movie and the choices made regarding why and how to film.

LulaRich: A Cautionary Tale

12 Sunday Sep 2021

Posted by Margaret Sefton in a writer's personal note, documentary review, writers in quarantine, Writers of Central Florida

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Cults, Economic vulnerability, MLM

Photo by Isabella and Zsa Fischer on Unsplash

Have you seen the four-part documentary series LuLaRich on Amazon Prime Video? It’s interesting. At first, I wasn’t going to watch it because in general, patterned leggings, a key product of LuLaRoe, aren’t my thing. Lols. (Well, I do confess, I purchased flowered bike shorts from another clothing store recently!) In terms of real time events, when things were starting to go down with this multilevel marketing company, I was in the throes of crises involving divorce and ill health and wasn’t tuned into the world. Furthermore, I realized, having watched the initial few moments of the first episode of this series, I would not have been the demographic target. There was an upper middle class, married woman vibe. That no longer fit who I was.

Though the story in this documentary may seem an illustration of aspirational-white-girls-getting-their-comeuppance, the dynamics of this toxic culture could apply to other situations as well. I don’t want to spoil the series should you decide to watch it. And I’m not a big business person so I have my limitations regarding the subject. What I do want to say and what this drove home for me is that we are all vulnerable to things when we feel wanting in some way—whether it be a lack of funds; a lack of purpose; a lack of self-esteem; etc.

Regarding things we do because we are vulnerable, I joined a support group that had started meeting on Zoom at the beginning of the pandemic. They meet frequently—every week—and I’m not big into sharing too much of myself with strangers in frequent meetings. Every now and then, ok, I can be this vulnerable, but well, there is a time to share and a time to keep to oneself. In comparing the first time I met with them with a time that is more recent, I have noticed how much emphasis is now given for members to rely on the group. In fact, sometimes the leader made exclusive claims: True support can be found only in the group. Not all statements were as bold, but I sensed a marked difference. I could have been misinterpreting what I was hearing, but I think it equally possible this is a major red flag.

We are all vulnerable, especially right now. I think it is worth listening to the small voice inside, or training ourselves to do this. We may sometimes override this voice, the very embodiment of our intuition, because we are desperate for whatever is being promised by someone else. But how do we know we won’t get trapped by something that could harm us? Everyone is vulnerable to this kind of a trap. It only takes a certain kind of person saying a certain kind of thing during a certain time of need to influence us to take the bait. This certain kind of person can seem to be utterly benevolent, or just radically awesome. We have to test the waters. Sometimes they are grounded and acting ethically. But, in general, if something seems too good to be true, it probably is. Nothing new there. But for me, the puzzle is how to reach out in vulnerability while also maintaining a kind of critical stance.

This blogpost is longer than I intended it to be. However, to summarize, I really do like LuLaRich and hope you will watch it! And it did make me think that we are now more vulnerable than ever. And though not everyone who misleads people is aiming for their destruction, the process of leading can do a psychological number on the person in charge unless they’re well grounded and make active use of accountability structures.

No matter where you land politically or by any other measure, there is a small voice inside. Listen. It may tell you it’s time to go rogue.

Salty Dog Rag

08 Wednesday Sep 2021

Posted by Margaret Sefton in a writer's personal note, bluegrass favorites, Folk music, writers in quarantine, Writers of Central Florida

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Appalachia, folk dance, Red Foley

This reminds me of summers in North Carolina. We would go to a square dance where this song was popular. This was a dance, but not a square dance. It was a couples’ dance. I never learned it and guy partners who knew it were very few. A couple our age always danced to this, flying all over the barn. They were amazing. I am quite fond of this old Red Foley song. Every now and then, I just have to hear it. There is no substitute. Happy hump day.

Sunday with Hayde Bluegrass Orchestra

05 Sunday Sep 2021

Posted by Margaret Sefton in a writer's personal note, favorite bluegrass, writers in quarantine, Writers of Central Florida

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Alison Kraus & Union Station, bluegrass, Hayde Bluegrass Orchestra

This Norwegian bluegrass band covers this Alison Kraus & Union Station song masterfully.

And I love the sentiment on this Sunday of Labor Day Weekend: I need a place where I can rest.

Be well.

taking my respite with May Sarton

02 Thursday Sep 2021

Posted by Margaret Sefton in a writer's personal note, journal, Works I admire by other people, writers in quarantine, Writers of Central Florida

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journal, Labor Day weekend, May Sarton

This week, I finished a course at the University of Chicago: Essentials of Grammar for Professionals. I trust I am finished. I am waiting for the score on the final assignment. But my work has essentially concluded.

I’m not going anywhere for the holiday weekend. I lack the funds. And I’m tired. I do plan to take life at a slower pace for the next couple of days, even though I am at home. I feel grateful to have this time and this space.

In the spirit of taking it easy, I opened an old book I keep on my desk along with a few others, books that are meditations, devotionals, words of encouragement. The book I chose this morning was May Sarton’s Journal of Solitude.

I include here a few pictures of the extra bedroom, converted into an office. The final picture is a picture of the opening paragraph of Journal of Solitude.

Be well. May respite find you.

“Horse Girl”

31 Tuesday Aug 2021

Posted by Margaret Sefton in a writer's personal note, coronavirus, film, writers in quarantine, Writers of Central Florida

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Alison Brie, Horse Girl, mental illness

Greg Westfall, “ghost,” flickr

In this week leading into Labor Day weekend, our nation and my state is literally wracked with illness and death; Louisiana has been ripped apart by a hurricane; there is fear and uncertainty in Afghanistan and mourning for lives lost. Furthermore, there are school districts who will be financially punished for trying to keep children safe from a deadly virus and there are many people facing eviction notices. Last year, the inception of the pandemic was only preamble.

This morning, it was in an addled frame of mind that I opened my closet door to see a small open bin on the floor, something from my previous move I have been gradually sorting through. There on the top, I noticed a collection of pictures which were scattered face down. On the backs of the pictures, there were names and dates written in cursive in an unknown hand. I turned them over to see some glimpse of an almost forgotten history, a record someone else kept for interested parties. I don’t remember who took the pictures of me because I was a baby, but there I was supposedly and playing with a playmate I would never see again. There were also pictures of my biological mother as a child and and also as a young woman. There was a picture of my biological grandmother, a few of my grandfather, two of my half-brother. I hadn’t expected to see these pictures this morning. Oddly, I felt nothing. But years ago, when I first saw them, I felt a great deal. It was at that moment of being presented with them that I learned things that were hard to know. For years, I kept the pictures tucked away in a bookshelf in a manilla envelop, away from view as if they held an electric charge. But moving and disruption has a way of discombobulating everything, and there we are, our private things lying about like a tossed salad.

Watching the film Horse Girl this afternoon, I was drawn into a deep grief, perhaps primed by the pictures of my biological mother in various stages of her life. And there was something so disturbingly recognizable about the film’s main character and her story, something so recognizable in her foibles and derailing mind, her struggle with a mental illness passed down by her grandmother and mother. The major existential question she asks is: How much of their illness is also mine?

I have also been in a grieving process since the onset of the pandemic for I have begun to lose my adopted mother to dementia. It brings home more starkly than ever that sense that when everything is stripped away, we stand naked and alone.

I will not get into more detail about the film and I won’t go into my own history here, though I have done so elsewhere, having spent years keeping it to myself. But for now, I’ll just leave it at this: I could relate to so much material that was in this film. I was riveted. It broke my heart. It is worth your time if you care to explore.

writers in the ring

17 Tuesday Aug 2021

Posted by Margaret Sefton in a writer's personal note, Writers of Central Florida, Writing flash fiction, writing inspiration, writing to a prompt

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becoming a stronger writer, overcoming writing blocks, writing short stories

Water Mist by Jen Gallardo, flickr

Recently, I watched an episode of the CNN series This is Life with Lisa Ling – “Women who Fight” (season 3, episode 2, October 2, 2016). In the episode, Ling covers women fighting in the MMA. One of the fighters said the motivation is not beating someone up, but being able to perform under stress, battling an opponent who is often equally as determined and strong.

When I have an idea for a story, I want to see it through to the end, to cut through the doubt and fear, ignoring voices from the past which may have discouraged me or criticized me, including my own. These roadblocks are the “opponent.” I think many writers who venture out in some way creatively, even if the stakes are relatively low, are testing their strength, their will to overcome such obstacles. You can always be a writer in your mind, and certainly that is where ideas begin, but the battle doesn’t begin until the words start to flow.

Recently, I haven’t dealt with too much internal resistance. I try to avoid situations that set me up for failure and block, such as prompts, contests, or markets that do not match my sensibility and interests. And deadlines that are too tight tend to produce creative products that aren’t much use. Somewhere is a happy medium between overload and stagnation. And so, I attempt to post some original content here. My challenge to myself is exposing original ideas out in the open. To me, it is a risk, but if I stop doing it I fear I will not move forward.

Most of my ideas are self generated, but the raw material comes from my reading and experiences. The raw materials are like the scraps a quilter keeps in a special place for that moment he or she sets out to lay out a pattern. Sometimes when I have a theme or topic in mind, a month is often just about enough time to gather raw materials for a completely original story, often the kind of story set in unfamiliar territory and even an unfamiliar time. A month is often about enough time to begin making mental connections, gathering intel from the environment, recalling memories, waiting for news stories and bits and pieces from the culture and written resources, rummaging around in my imagination and dreams. However, sometimes I may complete a story seemingly within an instant, an hour or two, but I wonder if somehow I have tripped over an especially strong obsession lodged below conscious thought.

A month is long enough to make a piece that is seven hundred to one thousand words long. But often a day is long enough to produce a tiny layered quilt, a covering large enough for a doll bed, a piece of fifty words. I often need a prompt, often self generated. I spend the day or a couple of days before, rummaging for content, using the prompt as a kind of divining rod. A two hundred and fifty word piece may only take a day to create if I have given myself some lead time with a prompt or idea. I have these categories of story lengths in mind because word limits are real when it comes time to submit to markets. I have to stay fluid in a practice and writing within limits is a kind of disciplined practice only mastered with continual production. Writing production — both rough drafts and final versions — is the MMA equivalent of time at the gym. But it pays to focus on the mot juste that comes from practicing, from learning how to land a punch at the right time. And if an editor says they want a certain length, that is exactly what they want.

I’m sorry about throwing around a plethora of metaphors: MMA fighting, quilting, dollhouses, and even an old fashioned way of finding water. Maybe I have cheated a bit with my metaphors today. At some point, perhaps, the other fighter in me who is gaining strength — my inner editor — will come out to clean up the mess. Both of these fighters are in training and if I am doing my job, both will be equally matched.

July 4th

04 Sunday Jul 2021

Posted by Margaret Sefton in a writer's personal note, Writers of Central Florida

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florida, july 4th, post pandemic fatigue

Marla by Amy, flickr

For a few minutes on this 4th of July, I miss the smell of gunpowder drifting through the woods. I miss the time that I, as a single, newly divorced mom, set off fireworks for my son in the foothills of Tennessee. My son, without men around who could have afforded better and who would have known how to handle explosives, only watched the ground in disappointment. But I myself knew I set them off, I myself knew I tried, I myself knew I had balanced the enormous cost of food for a week in the Tennessee wilderness with a few minutes’ worth of popping noises. To me, the sound was glorious though the show was lackluster. It was the sound I created. I was making my way. And my son is fine now, well recovered, a man attending fireworks shows with views from mountaintops, not down among the underbrush, frustrated over dying fuses and the bait and switch nature of products sold under a large tent roadside.

At my central Florida home a few years ago, the first home I owned, a home where my son lived with me every other weekend and holiday throughout his high school years, the smoke from the 4th of July fireworks drifted through the woods, and I was not the cause of the explosions, but I was just as pleased. I owned a home. It was in fact a place I could barely afford and the kind of place I will never be able to afford again. But that was enough for the 4th, that and enjoying the noise and the gunpowder smell from my very own balcony with a view out over the dense woods.

On a 4th of July years before the divorce, I sat on a beach with family and in-laws all of whom shared ownership in an an ocean front townhome. I watched the children – my son, my niece, my nephew – and talked to my sister. I thought these summers would go on forever. I thought we would all return to this place. And I thought I would always be able to sit on the bed of the master bedroom on the top floor of the townhome in the afternoons and look out over the Atlantic, the horizon unbroken, the water an incredible blue and green with white strips of waves. But fortunes change, properties are sold, families fracture and reconfigure, and naive beliefs are rendered obsolete.

In my fifties, I think I am learning stoicism. Tonight, I don’t even search for the fireworks I hear outside of my apartment, I don’t even bother to make plans with relative strangers to eat in parks, sharing food we don’t even know if we should be sharing because of deadly viruses.

I don’t know if this alteration inside of me, this stoic kind of stance, is due to my surface knowledge of a philosophical practice or if it is due to emotional burnout, like the eroding effects of water wearing and wearing down sharp edges. I can’t decide if the change is good or bad. I can’t decide if I am actually detached or if I’m in denial. I am beyond old feeling, stress over the old triggering realities: cancer scares, debt, job prospects, school failure, ageism, technology snafus, catastrophic weather, crumbling buildings, pandemics, democracy breakdown, church homelessness, loneliness. As I write this I hear the popping and booming of the fireworks not far from Disney and I think, someone around me has hope, someone out there is looking at exploding stars and smiling. Their children look on with wonder.

Having watched an instructional YouTube video about stoicism which uses Chuck Palahniuk’s Fight Club to illustrate what it means to be free, I am getting the idea that Tyler Durden, the founder of the club, might kill me if he could on this 4th. But why is it young, healthy Hollywood stars are used to illustrate mad genius? Give me a seventy year old – rough and wizened – and I suspect we’d get another view. But if you have to kill me young Mr. Durden, go ahead.

finding zen in chaos

24 Saturday Apr 2021

Posted by Margaret Sefton in a writer's personal note, About writing fiction, writers in quarantine, Writers of Central Florida

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artistic survival, mental hygiene, pandemic

What are your Kathy-Griffin-pie-my-making moments? Moments where you can close out the world and engage in something self-nurturing and calming? Patty Griffin’s song “Making Pies” strikes me as more and more brilliant the further the world has drilled down into mayhem. In the United States, this mayhem includes the pandemic threat, threats to justice and democracy, gun violence, to name a few. And every time I have heard Patty Griffin’s song – whether several years ago or today – I get teary. Her song speaks to the world. And great songs are timeless. What this song says is that during our uncertain and fear-filled times, it is good to get in touch with a way of being that focuses the concentration and calms the nerve, bringing us back to ourselves.

And no, not everyone makes pies! I couldn’t make a pie to save me, though I had a friend carefully explain the method and recipe years ago when I was staying at her house in Haddonfield, New Jersey.

But maybe it’s good to always have such a thing: Something you do that makes you not mind if you get your hair messed up, if you get a little flour on your face. Sure, maybe you started out worrying about such things, but at some point, you just said “it doesn’t matter,” then got down to business. Maybe just surviving right now may seem pie-making enough although a forgetfulness is what I seek, apart from survival, a kind of self-forgetfulness that is not chemically induced and is a kind of “making.”

At present, a pie-making moment is being in school to learn editing – and doing it no matter how difficult it is for me. But also, on the side, and just as important for my mental and emotional health: doing creative writing exercises, posting polished older fiction and memoir pieces, sharing what is new and vulnerable, reaching out to writing friends old and new, keeping dreams alive and not being afraid of failure. Maybe you like to garden, build something, play with your pet, make beer, sew, crochet, bake, cook, grill, catch fish, play a musical instrument, create videos or visual art, read a book, write in a diary, volunteer. Maybe there is something calling out to you, some new career or avocation which involve those small, self-forgetful, pie-making steps.

Sometimes in my posts, I share the results of creative writing exercises. Sometimes I use my blog as my test kitchen in order to keep challenging myself every day if I can. Maybe something longer will come from these pieces or maybe I will be able to see old stories a new way. Or maybe I will just be more invigorated and encouraged as a person.

These are the things I do because I must do them. Besides, these pies are so delicious, even though some are trial pies. They are delicious because I made them.

notes of a beginning copyeditor

10 Saturday Apr 2021

Posted by Margaret Sefton in a writer's personal note, writers in quarantine, Writers of Central Florida

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copyediting, editing, editing certificate

Image from page 50 of “Kittens and cats; a book of tales” (1911)

shortcoming

noun

short·​com·​ing | \ ˈshȯrt-ˌkə-miŋ  , ˌshȯrt-ˈkə- \

Definition of shortcoming

: an imperfection or lack that detracts from the whole also: the quality or state of being flawed or lacking

There are times I become uncomfortably aware of a shortcoming, and I do indeed have more than one of these! The above definition of “shortcoming” is taken from the online version of the Merriam-Webster Dictionary. I looked it up this morning in my hardcopy reference as part of an exercise which tests my copyediting ability and diligence in working with compound words. As part of working on a certificate in editing, I am learning that relying on authoritative texts, rather than simply memory or instinct, separates a quality copyeditor from one hobbled by shortcomings. I have to dismantle a kind of glib, glossing over and really see each letter and word afresh in order to truly help remedy a text.

Being in school and learning new things can be a very humbling experience, even humiliating if one has an extra layer of pride. I failed my first copyediting test last week. I didn’t give myself time and I missed at least half of the typos I should have caught and marked with my newly minted Frixion red pen. If “shortcoming” had been on my quiz last week, I wouldn’t have bothered to look it up. I would have been safe in not doing so because that is the correct spelling and no hyphen is required. Still, I know I have to develop new muscles to begin to be a better copyeditor. I have to slow down and look more things up. I have to give myself more time. I have to consult the dictionary and the style manual. And as the quarter moves along, I will be consulting other references as well.

Are you ever scared to try new things because you are worried about your own shortcomings? And yet how can we grow if we can’t face our shortcomings? Editing copy and creative writing don’t always feel like the same thing to me, but they seem to be two sides of the same coin. I think I have been a bit lopsided when it comes to the world of words and I hope to add to the whole in terms of my abilities and skills. But it can be scary. What if I can’t ever strengthen this underdeveloped side of me so that I can be useful to others? All I can do is wake up every day, learn from past mistakes, and do better. I invoke Yoda who exhorts Luke Skywalker to full commitment in Empire Strikes Back: “Do. Or do not. There is no try.”

Birthday thoughts

25 Thursday Feb 2021

Posted by Margaret Sefton in a writer's personal note, writers in quarantine, Writers of Central Florida

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Henri Nouwen, Prodigal Son, Rembrandt

Kitten’s Birthday, edited Library of Congress image, Stuart Rankin, flickr

For my birthday, my sister sent me a text of a picture of a quote by Henri Nouwen. It basically states birthdays are about celebrating the joy of one’s existence. Unlike so many other celebrations in our lives, what makes the day special is that the day is an existential recognition. It was such a wonderful quote it inspired me to peruse my bookshelves to see which of my Nouwen books survived my recent move and downsizing effort. From a distance, I saw a friendly cover, a deep red paperback cover for Henri Nouwen’s The Return of the Prodigal Son. I thought: Isn’t spotting a cherished book a little like seeing a friend or beloved relative from afar? You know their walk, their stance, the things they tend to wear. You see and know them immediately.

With my book beside me, the cover art the classic Rembrandt “The Return of the Prodigal Son,” I am beginning to recall a scene in Nouwen’s The Return of the Prodigal Son: When the father sees his son from a distance, he runs out to embrace him, to welcome him home. Aren’t we all yearning to be welcomed home? Whether in a relationship, or in some personal, spiritual sense, is this not our hope, our journey? Happy birthday to me, and well wishing to you, for we should all know no matter who we are, there is hope for healing, for belonging.

Celtic prayer

08 Monday Feb 2021

Posted by Margaret Sefton in a writer's personal note, spirituality and prayer, writers in quarantine, Writers of Central Florida

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Celtic prayer, Jessica Brown

Celtic Cross by Bob Glennan, flickr (Clare, Ireland)

I appreciate the thoughtfulness and beauty of Jessica Brown’s writing and blog. She was an MFA colleague at Seattle Pacific University and thankfully, due to the efforts and talents of friends, our cohort has remained in contact. I wanted to share her thoughts about Celtic prayer with a link to her blog. In reading this, I am reminded of Kathleen Norris’ The Quotidian Mysteries: Laundry, Liturgy and “Women’s Work” (Madeleva Lecture in Spirituality). I feel inspired to revisit this and other works by Norris. Please add beauty, quiet, and spirituality to your day with the wonder of “small prayers for small tasks.”

Peace, peace, peace! Pau Casals

14 Thursday Jan 2021

Posted by Margaret Sefton in a writer's personal note, music commentary, music for the pandemic, writers in quarantine, Writers of Central Florida

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Pau Cassals, White House concerts, World Peace

Since I discovered this amazing video, it has impressed so much on my heart: Casals’ beautiful address to the United Nations during his reception of the UN peace medal, his gorgeous composition and delivery of notes, the images of flying birds, and a picture of Casals’ White House performance during the Kennedy era.

I remember watching this since the 2016 election and reflecting that we will likely not have a celebration of fine artists like we did with Obama, like we did with JFK, and like we did under other presidential administrations. This made me sense the darkness we were living through. It is amazing we have survived this void of culture.

And it is amazing our lawmakers survived a seditious attack on our nation’s Capitol on January 6. I am saddened by the loss of life that was a result and I am sad some are now quarantining as a result of the unlawful invasion by those pursuing a violent insurrection.

On a more personal note, my memory of this song and watching the video again today has made me sad because I had to put my dog down this past weekend. She had an enlarged heart and was having complications. I like to think of her spirit as flying up there with all those beautiful birds. And I like to think our White House will one day resume its recognition of artists who lift the human spirit, those like Pau Casals.

Meg

My girl

08 Friday Jan 2021

Posted by Margaret Sefton in a writer's personal note, coronavirus, original flash memoir, writers in quarantine, Writers of Central Florida

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Blessing of the Animals, Coton de Tulear, For the love of a dog

A Dog’s Life by Andrej Kasić, flickr

I discovered Squeaky Car Wash after dropping my dog off at the vet on a sunny, cool December day in my central Florida town. My dog has an enlarged heart and needed shots and a checkup. During the pandemic, pets are dropped off with an assistant at the curb and there is no face to face contact with vets, only a doctor’s follow up phone call.

As always, I wanted the cheapest carwash possible and found it was the five dollars as advertised on the road sign. So many financial pressures were mounting but a dusty car felt a bit demoralizing. A few weeks before Christmas, a rental moving truck had crushed the back end of my car. Though it was not my fault, my insurance company had decided not to waive the remainder for repairs. And I could not afford to make up the difference, especially now in a pandemic with my own health issues much less my pet’s. Luckily my car was operating, including the rear light. But cosmetically, it looked a bit less than the glory of yesteryear.

A bearded, middle aged man stood at a kiosk outside of the drive thru wash. He took my credit card and offered a membership in case I lived or worked in the area. I told him I was only there today because I took my dog to the vet. He expressed his concern, saying he hoped my dog was ok. I thought it was a little strange, not to take my response as a matter of course. Then I realized it was a pretext for talking about his dog who died only a week before, just before Christmas. He had discovered the death upon waking. The animal was already cold. Then he relayed his emotion about breaking the news to his daughters.

Honestly, it did shake me up. Behind my aged and stretched out Tiffany sunglasses I had once enjoyed in an era when I thought I had money, I felt my face steaming up around my eyes. I told him I was sorry. I told him at least he was the one to discover his deceased dog before his daughters did. He also made a definite attempt to convey he had a wife. When I am friendly to men, they always seem to slip that in early as if there is some ulterior motive behind our conversation, or could be. A few years ago, I had come to the conclusion I was demisexual so if this were a different conversation, not about dogs, I could have told him to relax, there was no chance.

I felt a little strange about the conversation, honestly, as I quickly closed the sunroof before the mechanized tracks guided my bright yellow Ford hatchback into the dark cover of an assault of water, soap, and blue scrubbing strips. I realized sometimes I am bothered by this kind of thing as unfeeling and selfish as it may sound. I felt like I couldn’t afford the burden of a another person’s bad experience with something so similar to what I was experiencing. It was like when I took my dog to a favorite groomer when I lived on the other side of town. Somehow we talked about my new breast cancer diagnosis then the groomer started to cry about her daughter dying from the selfsame illness. I drove home in shock and a fresh new compounded worry and grief. And now, an ever present pandemic magnifies all grief and worry.

My dog and I have made it through the Christmas holiday, though there are days she has some troubling symptoms. Still, I am not quite ready to have that quality of life meeting with my vet. My dog’s breed suffers separation anxiety and these days, she has done weird things when I leave her alone for any amount of time. She still charms the vet and her new groomer, though I myself am feeling wary about leaving her anywhere except with a doctor who could help her if something happens. My mood goes up and down with each new turn and some days it feels almost more than I can bear.

For Christmas, my son and I gave her a little stuffed lamb that looks almost exactly like her. The little lamb is stretched out as if she were sleeping on her belly. I try to remember to place them together when she naps on the couch and on the bed although at times I find her snuggled up next to it. I am glad we have done this last little thing for her as well as making sure she is in the best possible health she can be at this time.

It is hard sometimes to track the level of her awareness but I have never thought an animal should be in pain and there have been indications of that. I don’t know what will happen. I am not sure I can wake up to a deceased pet. But in the Episcopalian tradition, we have a service for the blessing of the animals, which means God cares for them. I know that no matter what happens, God will see my little girl home.

Queen at War – a late Sunday afternoon of 19 Crimes and the Documentary Queen at War

27 Sunday Dec 2020

Posted by Margaret Sefton in a writer's personal note, writers in quarantine, Writers of Central Florida

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19 Crimes Cabernet Sauvignon, Queen Elizabeth, World War II

Holiday blues

25 Friday Dec 2020

Posted by Margaret Sefton in a writer's personal note, writers in quarantine, Writers of Central Florida

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coronavirus holiday, emptynest, sadness

Color lights make an atmosphere by Niko Hörkkö, flickr

How are you this holiday? I’ll have to admit, I am struggling. Things are not as bad for me and my family as they could be. Yet, I feel as if the hardship of the last decade or so has been magnified by an international health crisis and a wild political scene which will hopefully not become more malignant.

I had to say goodbye to my son today. He is going over to his father’s. Then in a few days he will be traveling to spend some time off with friends before starting his final semester. The empty nest syndrome has struck once again, this time quite hard. I do sort of feel like whatever problems and issues I’ve had have become magnified with the pandemic: my single status post-divorce, struggles with health issues, struggles with my dog’s health issues, memories which can be hard to revisit, regrets, financial challenges, the deaths of family members.

For about five days this holiday, I enjoyed a flurry of cooking and cleaning and wrapping. I enjoyed the mom thing, the one role I have performed for a great deal of my adult life, besides being a writer which has always been secondary, ancillary. It’s like I’ve been in a bit of a denial because in a big way for me, being a mom in almost all the ways I’ve known it is just about over. I still don’t feel I’ve dealt with it completely or maybe my anxieties regarding coronavirus concerns keep me from processing other aspects of my life.

How is it Christmas can sometimes take you down to the studs? This Christmas feels especially challenging. I know I am not alone. And I know college kids are having their own struggles to contend with, some of them really difficult. In trying to flee that nest – a healthy pursuit – opportunities that have felt solid are shifting as if built on sand.

Sometimes the words Jesus spoke come back to me in times like these: “Do not worry about tomorrow, for tomorrow will worry about itself. Each day has enough trouble of its own.”

Peace,

Meg

White Reindeer

12 Saturday Dec 2020

Posted by Margaret Sefton in a writer's personal note, dystopian literature, movie review, television series review, writers in quarantine, Writers of Central Florida

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Christmas movies, Handmaid's Tale, streaming services

Photo by Ira Ostafiichuk on Unsplash

I am bitter because I have been denied Netflix’s previously “free” access to the completely darkly comedic “White Reindeer” starring the brilliant Anna Margaret Hollyman. (Netflix no longer provides this lovely.) If you like dark comedy, you will love this. If you are a woman and are not sure about dark comedy, yes, you will most certainly love this. Now I will have to pay to watch it on Amazon. And if you have an appreciation for the darkly bizarre, the horror “Don’t Leave Home,” also starring Anna Margaret Hollyman, is a previous Netflix offering which may now be streamed on Prime Video at cost.

Also, you can stream all of Hulu’s own original movies with a 30 day trial! Yes, Virginia, there is a Santa Claus! If you wisely go for it, let me highly recommend the new Hulu Christmas original “Happiest Season.” I watched it yesterday. Tears. I predict: New all-time classic.

I am also really enjoying Hulu’s “The Handmaid’s Tale” series and am a huge Elizabeth Moss fan. I am relatively new to Hulu but definitely find it a great service, a wonderful new alternative. I am chilled by the series version of “The Handmaid’s Tale” because so many political aspects portrayed in this dystopia have come to fruition. And the quelling of rights and freedoms with military force is something I hadn’t anticipated witnessing in my lifetime when I initially read Margaret Atwood’s amazing classic as a college English major over thirty years ago. And of course the attempted “coup” to overthrow our recent election could have been an element of that dystopian vision. The current refusal of many of the GOP to acknowledge the outcome of our election signifies a dangerous tipping point of authoritarian rule in our once shared democracy. It is a real time Holiday Horror of the grandest, truest magnitude.

Beautiful Judy

11 Friday Dec 2020

Posted by Margaret Sefton in a writer's personal note, coronavirus, writers in quarantine, Writers of Central Florida

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Christmas songs, family loss, Judy Garland

Does this kill you like it does me? The beauty of her voice and the poignancy of the words, it’s almost too much. Heartbreaking.

Christmas has always been both beautiful and devastating for my family. My brother died before Christmas Eve years ago and that has always colored the way my family has experienced all holidays. And years before he died, we were in Israel for Christmas, in the fields where the shepherds would have been tending their flocks around the place Jesus was born. My brother was old enough to share in memories of our experiences of both Israel and Egypt.

And now, with the coronvirus disaster, this song devastates just as thoroughly. Will there be a place where we will all be together? No matter what has happened to us? I do believe this is true.

Please, be well tonight.

Sincerely,

Meg

Literary Holiday Traditions

30 Monday Nov 2020

Posted by Margaret Sefton in a writer's personal note, holiday horror, Holiday reading, Victorian Christmas, Writers of Central Florida

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Christmas ghost stories, Holiday fiction collections, Victorian traditions

Photo by Joanna Kosinska on Unsplash

Do you have a favorite holiday literary tradition? Maybe there is a story or book you like to read each year, or maybe you like to purchase or borrow a new book or collection for the season. Maybe you like to indulge with children, grandchildren, nieces or nephews with all of the stories they enjoy. In Iceland, there is a tradition in the fall called Jolabokaflod or the “Christmas Book Flood” in which books are bought for the holidays. Books are given as gifts on Christmas Eve and the night is spent reading. In Victorian England, people sat around their fires and told ghost stories, a tradition reflected in the format of Henry James’ novella Turn of the Screw.

When I first became serious about reading short stories about thirty years ago, I turned to the writer I had fallen in love with as a college English major: John Cheever. Every year for quite a few years at Christmas I read his entire collection. Then I chanced upon the marvelous collection Christmas at the New Yorker: Stories, Poems, Humor, and Art. It also includes John Cheever, as well as John Updike, Alice Munro, Vladimir Nabokov, Richard Ford, William Maxwell, J.F. Powers, and other literary lights. I started reading from this collection every year. Over time, I have also become interested in slightly more old school ghost stories, such as those penned by M.R. James and feel the reading, and listening to them on Audible, is very much in step with English Victorians.

This year, I’ve found a new collection through my new kindle called Chill Tidings: Dark Tales of the Christmas Season, edited by Tanya Kirk, collected from the British Library, written mid 19th to mid 20th century. Some are more or less “chilly” to me, but all I find very interesting given the Victorian tradition of Holiday ghost stories. The forward provides some clues as to why and how this tradition evolved.

I am also attempting to revisit a powerful story I read by Heinrich Boll years ago set at Christmas, having to do with a misunderstanding between a husband and wife. There is a sense of yearning for forgiveness on a snowy night in a train station. I lost the collection in my move, or misplaced it, or may have inadvertently donated it, and so I have ordered another, the selfsame 18 Stories by Heinrich Boll, a wonderfully used copy, and hopefully loved. I look forward to receiving it soon.

This year I also ordered another copy of Henry James’ Turn of the Screw after believing my copy lost. But alas, I found it today, the Norton Critical Edition, an edition I loved pouring over. However, the inexpensive used copy I ordered last night and which is waiting for me at the bookstore contains other Henry James stories as well as his classic so likely I will be picking it up. If you have seen the series The Haunting of Bly Manor or the movie The Turning as well as other filmic adaptations, these offerings might give you some sense of Henry James, but the written word such as the Norton Edition is the way to go to really develop a full appreciation of his technique and skill.

I also hope I will have some down time for some of my collections of fairy tales from around the world, an illustrated Robert Frost poem “Stopping by Woods on a Snowy Evening,” the absurdist writings of Daniil Kharms in some of my paper copy books as well as an ebook I found via kindle called “7 Best Short Stories: Absurdist” edited by August Nemo.

Whatever your traditions, I hope you will find a story you enjoy this holiday. Our religious traditions are about telling stories and so maybe this craving to come to story at this time of year is related to this, whether the story be of darkness or light, realism or fantasy.

Happy Holidays and happy story hunting.

Meg

A Florida Halloween note

31 Saturday Oct 2020

Posted by Margaret Sefton in a writer's personal note, Halloween, writers in quarantine, Writers of Central Florida

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Halloween, writer's personal note, writing process

Nathan Dumlao, unsplash

I’m sorry for all my typos in my attempt at a longer story this morning: “Sleepy Hollow.” I think I have ironed them out though the story itself will likely get revisited more than a few times. I don’t know if the time line and point of view are too confusing. The time line doubles back on itself and the perspective changes from omniscient to a rotating third so hmmmm…… Plus a lot of this takes place in the character’s heads while they are in bed which I now find kinda funny. Who knows, maybe it’s just notes for another story or maybe it basically works as it is. I try to wait to make that determination, sometimes for quite a while. I’ve been writing for six hours since 6 am pretty much nonstop so it may be time to do a contemplative chillax. lol (In bed?)

I was trying to get something out before the Halloween holiday began in earnest. My washer and dryer are located close to my front door and my clean laundry is piled up on my dining room table willy nilly! Along with cardboard boxes from my move since right before the pandemic. lol. So, hmmm. Not organized! I am counting on the holidays to motivate me. I am counting on the trick or treaters staring into my home to at least motivate me to tidy up what they can see. Haha.

Be safe today. Be well.

This is one of my favorite photos on unsplash. It could easily be the east coast of Florida but it is Manhattan Beach. Don’t you love it? Kind of makes me think of a Florida Halloween.

Sincerely,

Meg

Aesop

25 Sunday Oct 2020

Posted by Margaret Sefton in a writer's personal note, coronavirus, writers in quarantine, Writers of Central Florida

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Aesop's fables, coronavirus insight, micro essay

The Ants and the Grasshopper The Aesop for Children http://read.gov/aesop/052.html

Sometimes it is hard to create horror in a world so horrific. I sometimes break from it out of sensitivity for the situation, incredulity over politics, and personal burnout. When I am not anxious, I sometimes feel flat. Can anyone relate?

The personal horror for me is realizing lessons I never learned which now lead me to hard choices. I have always been more of the grasshopper: playing, joking, laughing, making music, dancing. Creating stories comes more from that sense of play. Sensible, industrious ants bore me. See the link above in the caption to read the wonderful story by Aesop as provided by the Library of Congress.

When I was young, my mother made me stay in my bed in the mornings until a reasonable hour for waking. In a two story house, you could hear everything happening in the upper bedrooms and I was constantly getting up early, playing. Only after getting sick midlife did I start to calm down a bit though certain other hyper tendencies continued on.

I am not pandemic ready. I did not prepare myself. I did not take the calm, measured advice of others over the past few years to build a secure life. I am a grasshopper through and through.

Though I have my favorites in the political race, I understand people who do not want to face hard realities, who cannot bring themselves to admit how a lack of planning and lack of care led us to this place. So while I would like to be self righteous, I can’t be.

I think we as a nation are where we are at this moment because many of us are probably more like grasshoppers than ants, maybe even more than we care to admit. We like to play and be entertained. I should try to just speak for myself. Don’t be offended. Just a thought.

Margaret Sefton

Margaret Sefton

Margaret’s work has appeared or is forthcoming in Cowboy Jamboree, Corvus Review, The Journal of Radical Wonder, Shambolic Review, The Chamber Magazine, Tiny Frights, Demonic Household, Use Your Words, S/tick, A Thousand and One Stories, Flash Frontier, Writing in a Woman’s Voice, Blue Fifth Review, Bizarro Central, Honey Pot, Alyss, Best New Writing, The Dos Passos Review, Ginosko Literary Journal, Still Crazy, Asylum Ink, Quail Bell, Danse Macabre, Dark Sky Magazine, Chrome Baby, The Strange Edge, Beakful, Serving House Journal, Corium Magazine, Double Room, Emprise Review, Connotation Press, Atticus Review, Apocrypha and Abstractions, DecomP, The Quarterly Conversation, Get Lit: Round One Flash Fiction, A-minor magazine, Wufniks, 971 MENU, Trainwrite, State of Imagination, Pure Slush, Dark Chaos, Blink Ink, 52/250, Kaffe at Katmandu, Relief, and Colored Chalk. She received her BA in Literature from Wake Forest University, her MA in Adult Education from Denver Seminary, and her MFA in Fiction from Seattle Pacific University. Many of her stories are set in Florida, a place she has considered home since girlhood. Her work may also be found on Medium and Simily.

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plumbing the depths of Irish and Celtic mythology, legend, and folklore

Signe Maene

Writer | Audio dramatist | Short Stories | Folklore Blog

Club Plum

literary journal

Priscilla Bettis

Horror Author

The Florida Squeeze

Florida Politics, History and Society since 2013

SCAB

Milk Candy Review

We're here for your beautifully weird flash fiction.

Alina Happy Hansen

Writer in San Francisco, CA

ELJ Editions

Be Well. Write Well. Read Well.

Steve Toase -Wir essen immer bei Kerzenlicht

The Astounding Analog Companion

The official Analog Science Fiction and Fact blog.

The Galway Review

Galway's leading Literary Magazine

Gotham City Book Club

A beginner-friendly guide to Batman comics.

REVOLUTION JOHN

a journal of beautiful literature

BIG OTHER

"[B]eauty is a defiance of authority."—William Carlos Williams

Crow & Cross Keys

Two books in my pocket

Stuff I read and stuff I write

Zombie Salmon (the Horror Continues)

A blog about Horror fiction, Horror writing, and Horror criticism...a continuation of The Horror at Open Salon

Terror House Magazine

S O M E K I N D O F 5 0

Drawing a line through 50

Writing Genie

Editing and Creative Services

Site Title

Stephen Page

The Salty River Writer. - Alumnus of Columbia University, Bennington College, and Palomar College.

The Printshop Window

Caricature & Graphic Satire in the Long Eighteenth-Century

Punk Noir Magazine

The Only Crime Is Getting Caught

Unsolicited Feedback

Harry Katz's Blog

The Chamber Magazine

the strange and dark and beautiful

Antalgica Poetica

L'essenziale è invisibile e agli occhi e al cuore. Beccarlo è pura questione di culo

The Ghastling

The Fantastic Other

a place for the discussion of dreams, the analyses of fantasies, the prodding of popular larks

beach debris

Me and my South Florida

FIFA Football World cup 2022

Game for the World

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